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DTSTART;TZID=America/Los_Angeles:20210206T190000
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SUMMARY:February 6th MAPP (Online): Building Community Resilience Through the Arts | Performances
DESCRIPTION:Feb 6th @ 7:00- 10:00 pm | Performances   \nFeb 7th @ 3:00- 4:00 pm | Visual Art Workshop | Exhibition  \nClick here on the date of the event to see the live performance streaming on Facebook. \nDuring these challenging times\, it is our goal to continue providing excellent and uplifting programs to you and we are pleased to announce our fifth online FREE MAPP program. Our TWO DAY MAPP FESTIVAL program includes 4 music performances on February 6th and a visual art workshop on February 7th and will be live-streamed from artists’ homes to your homes. Live streaming on Facebook \nVisual Art workshops on February 7th  \nNow\, more than ever\, we need your support to continue facilitating relationships between the artists and our community\, and building a sonic bridge between today’s challenging time and a brighter future. Please consider investing in the future of the artists and the important role of the live performing arts in our community.  \nMake a gift to Red Poppy Art House today!  \nRed Poppy Art House Needs You \nLaunched in 2003\, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly\, multidisciplinary\, intercultural happening that takes place in the Mission District of San Francisco. On the first Saturday of every even month of the year\, the MAPP transforms ordinary spaces\, such as private garages\, gardens\, living rooms\, studios\, street corners\, and small businesses into pop-up performance and exhibition sites for a day/night of intimate-scale artistic and cultural exchange among a kaleidoscope of individuals and communities.  Due to COVID-19\, we have temporarily changed this dynamic program from an onsite to an online series. Thanks to the mastery and innovation of the presenting artists and curatorial vision we are pleased that the kaleidoscope of cultural exchange continues to be an incredibly enriching experience for the presenter and the viewer. We look forward to the days that we can safely present at our neighborhood venue and we are grateful for everyone’s ingenuity in making the online presentations meaningful and unique experiences.   \nThis program is funded by California Arts Council Local Impact Grant and  Hardly Strictly Bluegrass Relief Fund and will continue our work in presenting unique artistry to the communities that we serve. \nRED POPPY MAPP TEAM: \nCurator: Dina Zarif / Artistic Director  \nTech support: Leeav Sofer \nPR and Digital Marketing: Jennie D. Legary \n  \nRPAH PROGRAM (ONLINE) FEBRUARY  6TH & 7TH\n\n\n\n\nSATURDAY\,  FEBRUARY 6TH \n\n\n\nTime\nPerformance/Event\nDescription\nArtists\n\n\n7:00 -7:05 pm\nIntroduction\, Artists meet and greet \nCurator Dina Zarif will greet the Artists\, and present the \nperformance program. \n \n\n\n7:05 -7:10 pm\nAnnouncement\n“Urban Prophets” Announcement by Arturo Moh Mendez \n \n\n\n7:10 – 8:00 pm\nThe Anthony Blea Yelapa Trio | LIVE from Mexico \nLatin\, Jazz\, and imagination \nAnthony Blea – Violin \nLincoln Andrews – Bass \nKyle Madrigal – Guitar\n\n\n8:00 – 8:40 pm\n“All come to look for America”\nMusic for voice and piano guides us as we search for America together.” \nSimon Barrad – Voice\, Baritone \nKseniia Polstiankina Barrad – Piano\n\n\n8:40 – 9:15 pm\nMi Corazón\, Mi Canto\nTraditional and contemporary sounds of Latin America.\nMonica Maria – Voca\, Guitar \n\n\n9:15 -10:00 pm \n“Live from the Desert”\nKlezmer/Balkan DJ Set with Live Horns\nMayvn – DJ/Clarinet \nJoey Jay – Sax\n\n\nSUNDAY\, FEBRUARY 7 TH \n\n\nTime\nPerformance/Event\nDescription\nArtists\n\n\n3:00- 3:10 pm \nIntroduction\, Artist meet and greet | RPAH window Exhibition\nCurator Dina Zarif will greet the Artist\, Introduction about the current Window exhibition at RPAH: “Hold me in the Palm of Your Hand” \nAndrea Guskin -Visual Artist\n\n\n3:10 – 4:00 pm\nWorkshop: Between the Palm Lines\, Layers of Home\nRubbings\, Transfers\, Tape\, and String: Using Everyday Objects to Create Meaningful Artworks \nAndrea Guskin -Visual Artist\n\n\n\n  \nCURRENT WINDOW EXHIBITION:  FEBRUARY – APRIL\nHold me in the Palm of your Hand | Andrea Guskin \nCurrent exhibition on view in the windows of The Red Poppy Art House. \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]\n	\n\n\nWORKSHOP: SUNDAY  FEBRUARY  7TH\n \nBetween the Palm Lines\, Layers of Home \nRubbings\, Transfers\, Tape and String: Using Everyday Objects to Create Meaningful Artworks  \nPERFORMANCES (ONLINE) FEB 6TH\n \nThe Anthony Blea Yelapa Trio \nLatin\, Jazz\,and imagination  \nThe Anthony Blea Yelapa Trio has taken this time to hunker down and rehearse in the isolated beach/jungle town of Yelapa in the State of Jalisco Mexico.  \nFeaturing: \nAnthony Blea – Violin \nLincoln Andrews – Bass \nKyle Madrigal – Guitar \n  \nABOUT THE ARTISTS: \nAnthony Blea was born and raised in San Francisco. He started playing the violin at age eight in public schools and he was accepted to the San Francisco Conservatory of Music at age eleven as a full scholarship student. Anthony went on to receive a Bachelor’s Degree from the Manhattan School of Music where he studied with Raphael Bronstein and a Masters Degree from the San Francisco Conservatory where he majored in String Quartet performance. Having played with Afro-Cuban bands in San Francisco and New York City\, Anthony continues to play a wide variety of music in the Bay Area and internationally. He has played and recorded with artists such as Israel Lopez “Cachao”\, Ray Charles\, S.F. Opera Orchestra\, John Santos Ensemble\, Jazz Mafia\, Anthony Blea y su Charanga\, Charanga 76\, Orquesta Broadway and many more. \nAnthony is also a professor of Music at the San Francisco City College where he teaches Orchestra\, Violin and Community Choir. \nLincoln Andrews is a musician and sound engineer\, born and raised in the mountains of Northern California. Learning to play the bass and produce music at the age of 10\, Lincoln went on to study sound engineering and music theory at Ex’pression College for Digital Arts. After graduation\, Lincoln began touring in a jazz/rock fusion band with this older brother\, Blue Luke. Lincoln also became the head engineer at Russian River Records\, producing albums for local artists out of Mendocino County.  Eventually Lincoln moved back to the bay area where he became an instructor at the Academy of Art University\, a sound engineer at the SFJAZZ Center\, and a City College of San Francisco alumni from performing in Anthony Blea’s Charanga Orchestra for 3 years. Lincoln then moved to New York City where he focused on his bass performance while studying under the great John Benitez and performing in jazz jam sessions.  Now relocated back to Northern California\, Lincoln is in the process of building his own professional music studio\, and performing as much as possible during these pandemic times. \nKyle Madrigal is a California boy that’s always been fascinated by fluctuating frequencies in air. Tickling tympanic membranes with artists like Charley Crockett and Dirt Floor Band\, sharing the stage with Willy Nelson and George Clinton. Kyle is most at home in the murky depths of sludgy sound and finding a polished pearl to aurally impart to your ears. \n \n“All come to look for America” \nA musical journey through the possibilities and empty promises of what America is\, and what it hopes to be. Music for voice and piano guides us as we search for America together.”  \nFeaturing: \nSimon Barrad – Voice\, Baritone \nKseniia Polstiankina Barrad – Piano \nABOUT THE ARTISTS: \nThe versatility of Grammy-nominated baritone\, Simon Barrad\, has been heard across the United States and Europe in opera\, Lieder\, and oratorio concerts. Features in recent seasons in the United States include performances at Cincinnati Opera\, the Art of the Piano Festival\, the Ravinia Festival\, the Token Creek Festival\, and the Marlboro Music Festival. However\, the 2015/16 Fulbright scholar to Finland has also headlined concerts across the Atlantic at venues including Helsinki’s Musiikkitalo\, Finland’s National Opera House\, and the Berlin Philharmonie. Highlights of upcoming seasons include Mr. Barrad’s Wigmore Hall and Philadelphia Chamber Music Society debut recitals\, as well as Bay Area engagements including Inspector Kildare in Kevin Puts’ Elizabeth Cree with West Edge Opera\, and a virtual Passover celebration – Dayenu with Taste of Talent.     \nUkraine native Kseniia Polstiankina Barrad is an active pianist and collaborator on both sides of the Atlantic Ocean. Before graduating with honors from the Special Music School in Kyiv\, she won top prizes at various international piano and chamber music competitions\, including the Prokofiev International Competition for Young Pianists (Donetsk\, Ukraine)\, the International Competition for Young Pianists (Belgrade\, Serbia)\, and the International Chamber Ensemble Competition (St. Petersburg\, Russia). Barrad also enjoys a vibrant collaborative career spanning opera\, choral music\, vocal recitals\, and chamber music\, and she recently held the position of principal coach with Queen City Opera in Cincinnati. Recent summer festivals include Songfest and the prestigious Merola Opera Program in San Francisco. Kseniia currently resides in San Francisco\, where she is a pianist and vocal coach in the Adler Fellowship at San Francisco Opera. She graduated with her master’s degree in Collaborative Piano from the College-Conservatory of Music in Cincinnati where she recently completed her DMA in Piano Performance. \n  \n \nMonica Maria – Mi Corazón\, Mi Canto \nMonica Maria will be playing original music and a few of her favorite covers in celebration of her mom’s birthday. \nA vocalist\, multi-instrumentalist and composer\, her music reflects her Californian roots mixed with traditional and contemporary sounds of Latin America. \nABOUT THE ARTIST: \nMonica Maria is a songwriter\, vocalist and multi-instrumentalist. She has been a performing musician for over 18 years and recently released her debut album in 2020 called “Nuevos Caminos.”  Combining the sounds of her Californian roots with traditional instruments and rhythms of Latin America\, “Nuevos Caminos” is musically innovative while expressing themes of holding love\, compassion and appreciation for self\, others and the earth \nMonica has a BA in Vocal Jazz and World Music from San Francisco State University.  Along with her original music project\, she is the musical director\, vocalist and instrumentalist of La Mezcla’s “Pachuquismo.”  Monica has performed with many bands and artists such as La Gente\, Laura Rebolloso\, Rumbaché\, John Calloway\, Jesus Diaz y Su QBA and others.   \n \n“Live from the Desert” \nKlezmer/Balkan DJ Set with Live Horns \nFeaturing: \nMayvn – DJ/Clarinet \nJoey Jay – Sax \nABOUT THE ARTIST: \nUnder the name “Mayvn”\, Morgan Nilsen has been acquiring new skills during the pandemic while hunkering down in the ‘Land of Enchantment’\, New Mexico. MAPP is her favorite part of the San Francisco community\, and she can’t wait to share an experience of live horns (featuring Joey Jay Friedman on Sax) accompanied by electronic beats with the familia. Inspired daily by her surroundings of vast\, remote desert beauty\, this set is created specifically for MAPP to bring friends together on a journey during a time we can not travel. Instagram. \nJoey Jay Friedman has performed music his whole life\, following his passion for folk music from Klezmer to the Balkans\, Turkey\, the Arabic Peninsula and North Africa. He has accompanied Morgan in several Bay Area ensembles including MWE\, Istanbul Connection\, and Inspector Gadje. While enjoying a more solitary quarantine in New Mexico\, he still feels a strong desire to connect musically & virtually with the Bay Area arts environment.  \nPREVIEW THE MUSIC\n  \nAnthony Blea with LaTiDo at the Ramp \n \n  \nSimon & Kseniia\, “Francis Poulenc: Chansons villageoises – C’est le joli printemps” \n \n  \nSimon & Kseniia\, “Another reason why I don’t keep a gun in the house – Tom Cipullo” \n \n  \n“Mayvn”\, Morgan Nilsen\, “Desert DJ Series: White Sands” \n \n  \nMónica María Fimbrez\, “Nuevos Caminos” \n \n  \n  \nONLINE EVENT DETAILS\n  \nTime: Feb 6th\, 7:00 pm -10:00 pm (Performances)\,  Feb 7th\, 3:00 – 4:00pm (Visual Art Workshop | Exhibition) \nAdmission: Free (donations are encouraged) \nTune in 10 minutes before each event starts to test your devices for connection. \nThe event will be streamed live through the Red Poppy Art House Facebook page
URL:https://redpoppyarthouse.org/event/mapp-20210206/
LOCATION:CA
CATEGORIES:Events,February,MAPP,Performing Arts
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DTSTART;TZID=America/Los_Angeles:20210207T150000
DTEND;TZID=America/Los_Angeles:20210207T160000
DTSTAMP:20210202T233159Z
CREATED:20210202T094734Z
LAST-MODIFIED:20210202T233159Z
UID:13365-1612710000-1612713600@redpoppyarthouse.org
SUMMARY:February 7th MAPP (Online): Building Community Resilience Through the Arts | Workshop | Exhibition
DESCRIPTION:Feb 7th @ 3:00-4:00 pm | Visual Art Workshop  \nFeb 6th @ 7:00- 10:00 pm | Performance  \nClick here on the date of the event to see the live performance streaming on Facebook. \nDuring these challenging times\, it is our goal to continue providing excellent and uplifting programs to you and we are pleased to announce our fifth online FREE MAPP program. Our TWO DAY MAPP FESTIVAL program includes 4 music performances on February 6th and a visual art workshop on February 7th and will be live-streamed from artists’ homes to your homes. Live streaming on Facebook \nPerformances on February 6th \nNow\, more than ever\, we need your support to continue facilitating relationships between the artists and our community\, and building a sonic bridge between today’s challenging time and a brighter future. Please consider investing in the future of the artists and the important role of the live performing arts in our community.  \nMake a gift to Red Poppy Art House today!  \nRed Poppy Art House Needs You \nLaunched in 2003\, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly\, multidisciplinary\, intercultural happening that takes place in the Mission District of San Francisco. On the first Saturday of every even month of the year\, the MAPP transforms ordinary spaces\, such as private garages\, gardens\, living rooms\, studios\, street corners\, and small businesses into pop-up performance and exhibition sites for a day/night of intimate-scale artistic and cultural exchange among a kaleidoscope of individuals and communities.  Due to COVID-19\, we have temporarily changed this dynamic program from an onsite to an online series. Thanks to the mastery and innovation of the presenting artists and curatorial vision we are pleased that the kaleidoscope of cultural exchange continues to be an incredibly enriching experience for the presenter and the viewer. We look forward to the days that we can safely present at our neighborhood venue and we are grateful for everyone’s ingenuity in making the online presentations meaningful and unique experiences.   \nThis program is funded by California Arts Council Local Impact Grant and  Hardly Strictly Bluegrass Relief Fund and will continue our work in presenting unique artistry to the communities that we serve. \nRED POPPY MAPP TEAM: \nCurator: Dina Zarif / Artistic Director  \nTech support: Leeav Sofer \nPR and Digital Marketing: Jennie D. Legary \n  \nFEBRUARY  7TH  WORKSHOP \n\n\n\n\nSUNDAY\, FEBRUARY 7 TH  \n\n\n\nTime\nPerformance/Event\nDescription\nArtists\n\n\n3:00- 3:10 pm \nIntroduction\, Artist meet and greet | RPAH window Exhibition\nCurator Dina Zarif will greet the Artist\, Introduction about the current Window exhibition at RPAH: “Hold me in the Palm of your Hand” \nAndrea Guskin -Visual Artist\n\n\n3:10 – 4:00 pm\nWorkshop: Between the Palm Lines\, Layers of Home\nRubbings\, Transfers\, Tape and String: Using Everyday Objects to Create Meaningful Artworks \nAndrea Guskin -Visual Artist\n\n\n\n  \nCURRENT WINDOW EXHIBITION:  FEBRUARY – APRIL\n \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]\n	\n\nHold me in the Palm of your Hand | Andrea Guskin \nCurrent exhibition on view in the windows of The Red Poppy Art House \nARTIST STATEMENT \nUsing the everyday materials of mending\, my work explores the layers of social and emotional experience related to ancestry\, immigration\, and domestic life. Thread and cord are sewn\, tied and knotted: they speak of the tight ropes we all walk\, each step composed of mundane and extraordinary moments\, containing influences both known and unknown. The work is designed to move beyond the boundaries of the art object\, mapping paths that become routes of connection and experience.  \n \nHold me in the Palm of your Hand\, the current exhibition on view in the windows of The Red Poppy Art House\, began during the first two months of sheltering in place in 2020. Missing friends and family\,  I started asking them to send an image of their palm. Staring at the lines of their palm\, I began to sew them into the canvas: building the lines of my loved ones little by little\, piece by piece\, brought me closer to them in my mind. The paintings created alongside them speak of the water\, land\, and bridges that lie between the people represented as palm lines as well as the tangible absence and distance that exists between us.  For more info please visit www.andreaguskin.com \nARTIST BIO: \nAndrea Guskin is a San Francisco Bay Area artist who was raised amongst the woods and college campuses of Wisconsin and Ohio. She began drawing by pillaging her father’s office supplies for fine tip pens and yellow pads\, filling them with costumed figures while lounging on a 1970’s shag carpet. \nAfter studying painting at Antioch college\, Andrea moved to NYC and became a part of the art and songwriter community on the Lower East Side\, joining a group of artists working without heat in an 1897 former school building (now known as The Clemente). It was here that the figures in her paintings began to deconstruct into minimal skeletal portraits in black and white\, which formed the bridge to her architectural tape drawings and her abstract explorations related to the home. \nSince moving to the Bay Area in 2003\, Andrea has expanded the materials and themes she works with–incorporating small ordinary objects and domestic mending materials such as thread\, burnt matches\, cotton rounds\, tape\, and rubber bands. She uses these objects to explore ideas related to domesticity\, refuge\, and ancestry. \nAndrea has recently added a participatory community aspect to her work\, merging her years in museum education (The Oakland Museum/The Contemporary Jewish Museum) and her art practice. One example is the ongoing From Where to Here Project\, a series of events in which participants are invited to reflect on their own and their families’ journeys to the Bay Area.  \nIn 2020\, Andrea founded Virtual Cultural Connections\, a Bay Area program designed to promote cultural awareness in schools and support local artists. She currently lives and works in San Leandro with her husband and two sons.  \n  \nWORKSHOP: SUNDAY\, FEBRUARY  7TH\n \nBetween the Palm Lines\, Layers of Home | Andrea Guskin \nRubbings\, Transfers\, Tape\, and String: Using Everyday Objects to Create Meaningful Artworks  \nWORKSHOP DESCRIPTION \nI often incorporate household fragments and objects in my work: using ubiquitous items such as used matches\, rubber bands\, and cotton rounds. In this workshop\, we will gather objects from home to create a texture and line board that can be used over and over\, transforming found everyday pieces into layered worlds on paper. This workshop is a chance to be playful and experiment with what’s around you–it’s meant for everyone and requires no previous art experience.  \nSince ancestry is an important part of my work\, I will show you how to use this process with a printed copy of a vintage family photograph and how to make a simple photo transfer using an inkjet printer and a piece of label paper.  Additionally\, I will demonstrate how I would integrate this drawing into the larger narrative of my work by finding a place for it in one of the wall installations currently unfolding in my studio.  \n Pencil rubbings have been used widely by artists to add additional layers of meaning and interest to drawings. Here is an example by Max Ernst\, who created many drawings using this technique\, also called frottage.  \nMax Ernst\, When Light Cartwheels 1925 \n  \n  \n  \n  \n  \n  \nMATERIALS \nFor Rubbings (Frottage) \n\nScissors\nGlue stick\nCopy Paper: with or without printed image\nA piece of cardboard\, wood or heavy paper: this will be the base for the objects\nPencil: 2B will work but a softer pencil is ideal (4B or 6B)\nString (preferably thicker than standard thread\, yarn or cord will work well)\n\nHousehold objects:  I used playing cards (to cut into shapes)\, cotton rounds\, a key\, an earring\, a feather and a game board. Look for things with interesting shapes and cut-outs\, that are fairly flat.  \nOptional  \n\nColored Masking Tape\nBlack paper for the background\nA printed copy of a photograph of a family member or friend\nA picture of a palm\nColored pencils\nwoodless pencils\n\nFor photo transfers:  \n\nAn inkjet printer\nA sheet of printable label paper (I use Avery)\nPaper (any thickness)\n\nWORKSHOP INSTRUCTIONS \nStep one: Gathering \nThe Essentials: scissors\, glue\, lightweight paper\, string\, pencil\, and some kind of board for backing.   \nHousehold Objects: I found cards\, a feather\, an old Trouble game board\, a key\, a cotton round\, an earring\, and a wooden toy remnant. I printed out a photograph of my grandfather working in a chemistry lab and the palm of my nephew Ricardo who lives in Trinidad.  \n \nString drawing with Palm Lines: Who’s palm lines will you create? You can use your own or a picture of someone else’s palm.  \nCut at least three pieces of string\, one for each line of the main lines in the palm. I cut four for his palm\, as the line across the middle line was so strong.  \nArrange string on your board\, echoing as closely as possible the lines of the hand.  \nRun the string over the glue stick\, or add glue to the board–then adhere the string to the board (you will  need to wait for the glue to dry before rubbing) \nStep two: Arranging your household objects and shapes on the board \nGlue or tape objects onto your board. I taped everything but the string\, so I can move the objects around freely. One of the advantages of this technique is being able to repeat a shape/texture easily\, so choose shapes that fit in with any concepts or ideas you have for your project.   \n \nStep Three: Rubbing  \nStart with a Warm-up. Holding your paper firmly on top of the board\, rub back and forth using the side of your pencil until the lines and shapes appear. Shift the paper around to gather more rubbings.  \nAfter you complete your warm-up\, you will have an idea of which objects you prefer to use on your final piece. Here are some ways to add to your piece:  \nUse a printed copy of a photograph instead of a blank sheet of paper. It works best if it’s a light-colored photograph. Cut it out if desired and place it on black paper.  \nUse colored masking tape to make a design on paper before you start rubbing. Use the rubbings to fill in the negative spaces of the design. Find your favorite area of the page and cut it out.  \nPhoto Transfer Technique for Inkjet printer \nTake all the labels and sticky parts of a sheet of white address labels for inkjet printers  (Avery labels work well) \n \n\nPlace in your printer (in mine I have to place it upside down)\nPrint the photograph (it will print in reverse). Transfer immediately after printing\, while the ink is still very wet. Make sure to use a board or larger paper to protect the surface you are working on. \n\n– Lay a piece of paper (or wood)  down on top of the image. For this\, I only wanted to print a selection of the image.  \nPat the back firmly all around with your whole palm.   \nLift and see the image!  \nIt will most likely not be “perfect” but contain some spots that didn’t transfer completely. Personally\, I like this effect.   \nIf you like\, remove the ink by transferring the rest of the ink onto scrap paper and re-use the same sheet to transfer once again. It will dry in about an hour.  \n  \n  \n  \n  \n  \nImages from Past Exhibitions:   \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]\n	\n\n\nTime: Feb 6th\, 7:00 pm -10:00 pm (Performances)\,  Feb 7th\, 3:00 PM – 4:00pm (Visual Art Workshop | Exhibition) \nAdmission: Free (donations are encouraged) \nTune in 10 minutes before each event starts to test your devices for connection. \nThe event will be streamed live through the Red Poppy Art House Facebook page
URL:https://redpoppyarthouse.org/event/mapp-20210207/
LOCATION:CA
CATEGORIES:Events,February,MAPP,Performing Arts
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