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DTSTART;TZID=America/Los_Angeles:20260207T190000
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SUMMARY:Standing with the People of Iran: Echoes of Stolen Lives
DESCRIPTION:Standing with the People of Iran:\nEchoes of Stolen Lives \nOn December 28\, 2025\, millions of Iranians took to the streets\, calling for dignity\, freedom\, and an end to decades of repression. In response\, the Islamic Republic of Iran unleashed one of the deadliest crackdowns in its history. Tens of thousands were killed\, many shot at close range\, including children\, women\, and young people\, and thousands more were blinded\, injured\, or arrested\, all under a nationwide internet blackout to this day that plunged the country into digital darkness\, crippling communication\, erasing evidence\, and preventing people from seeking help. \nFamilies grieve. Communities endure. And yet\, their courage echoes. \nTo honor those lives stolen and to stand in solidarity with the people of Iran\, MAPP brings together eight artists from Iranian\, Kurdish\, Armenian\, and Arab backgrounds. Through music\, reflection\, and shared witness\, we mourn\, remember\, and lift the voices that authoritarian regimes try to erase. \nJoin us for an evening of remembrance\, resistance\, and hope.  \nRead the full statement on the ongoing struggle and the call for global accountability [here]. \nFEBRUARY 7TH MAPP PROGRAM\nRed Poppy Art House\n2698 Folsom @23rd\nCurator: Dina Zarif \nMAPP (Mission Art Performance Project)\nSaturday\, February 7\, 2026\nDoors open at 6:45 pm\n7 p.m. to 10 p.m. event \nStanding with the People of Iran\nEchoes of Stolen Lives \n7:00 – 7:10 PM: Video Projection (Witness Iran)\n7:20 – 7:45 PM: Yearning for Homeland (Lebanese-Armenian vocals & duduk)\n8:00 – 8:25 PM: Love Tunes from Iran (Harp\, clarinet & vocals)\n8:40 – 8:55 PM: Between Two Rivers (Contemporary Kurdish folk)\n9:10 – 10:00 PM: Echoes of Zagros (Love\, resilience & freedom)\nVideo Projection “Witness Iran” during the night.  \nExhibition: Andrea Guskin – Fracture Zones\, exploring rupture & resilience\nPoster graphic design by Romina Zabihian \nTHIS IS A FREE EVENT\nRSVP HERE \n \n  \n  \nMAPP (Mission Arts & Performance Project)\nLaunched in 2003\, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly\, multidisciplinary\, intercultural event that takes place in the Mission District of San Francisco. On the first Saturday of every even month of the year\, the MAPP transforms ordinary spaces\, such as private garages\, gardens\, living rooms\, studios\, street corners\, and small businesses into pop-up performance and exhibition sites for a day/night of intimate-scale artistic and cultural exchange among a kaleidoscope of individuals and communities.  \nRED POPPY MAPP TEAM: \nArtistic Director | Managing Director: Dina Zarif \nContent manager: Jennie Legary\nSound crew: Andrew Scott\nHost: Verda Bursal  \n\nABOUT THE PERFORMING ARTISTS\n\n\nYearning for Homeland \nLebanese-Armenian vocals & duduk\nKhatchadour will present Armenian songs of loss\, grief and of yearning for the beloved and for homeland. He will share with the community several pieces narrating stories through both singing and performing on the Armenian woodwind\, Duduk. \nFeaturing: \nKhatchadour Khatchadourian – Vocal & Duduk \nKhatchadour is a Lebanese-Armenian vocalist and duduk player based out of the Bay Area. His vocal repertoire is grounded in the Armenian and Levantine Arabic vocal traditions. Growing up within the Armenian diaspora on the Lebanese Mediterranean coast\, and later having spent many years in Aleppo\, Syria\, Khatchadour’s voice pays homage to the vocal landscapes spanning the regions of the South Caucasus\, Levant\, and Anatolia. Khatchadour’s passion for the duduk\, an Armenian double reed woodwind\, began in 2007\, and has since taken him on musical journeys across Armenia and Southern France. He studies under master duduk player\, Levon Minassian. Additionally\, for the past few years\, Khatchadour has been immersed in the study of Persian vocal Radif\, and sings in Farsi\, under the instruction of master vocalist Mahsa Vahdat.  \nKhatchadour is currently completing his 6th album\, Shounch: Breath\, which is partially funded and made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.\n\nLove Tunes from Iran  \n Iranian Classical & Folk Music – A Soundscape of Tragedy & Triumph\nThis project is a collaboration between Dina Zarif\, Iranian immigrant singer\, and Amelia Romano\, San Francisco–based harpist\, blending classical and folk music into a seamless sonic journey. Their performances fuse Iranian classical and folk traditions with South American–inspired rhythms\, creating a soundscape of tragedy and triumph that explores themes of immigration\, homeland\, and cultural memory. Since 2016\, they have headlined stages at the San Francisco International Arts Festival (Fort Mason)\, Montalvo Arts Center\, Yerba Buena Gardens Festival\, Palace of Fine Arts\, Brava Theater\, and the Asian Art Museum. \nFeaturing:\nDina Zarif – Vocal\nAmelia Romano – Harp\nAsaf Ophir – woodwinds \nDina Zarif is a San Francisco–based multidisciplinary performing artist\, designer\, curator\, and arts activist\, born and raised in Iran. As a vocalist\, she fuses Western classical technique with Middle Eastern and Persian traditions\, creating a distinctive sound rooted in her cultural heritage. \nAs an actress\, Zarif has trained and worked under renowned Iranian theater master Bahram Beyzaie at Stanford University’s Iranian Studies Program. Her stage credits include Ardaviraf’s Report\, Tarabnameh (musical)\, Crossroads\, The Language of Wild Berries (Golden Thread Productions\, 2022)\, and Exodus to Eden (Oakland Theater Project\, 2023). Most recently\, she appeared in Dash Akol According to Marjan\, which premiered in two parts at Berkeley Repertory Theatre’s Roda Theatre (2024–2025)\, and in Leili and Majnun musical (2024–2025). \nZarif starred in the title role of the feature film MITRA (2021)\, which premiered at the International Film Festival Rotterdam. \nAs a shadow performer and costume designer\, Zarif toured internationally with the cinematic shadow play Feathers of Fire: A Persian Epic\, winner of the 2019 UNIMA Award for Excellence in Live Performance and Design. The production toured extensively with over 100 performances worldwide\, including major institutions such as Brooklyn Academy of Music\, the Metropolitan Museum of Art\, the Musée du quai Branly (Paris)\, and leading international festivals across Europe\, Asia\, and the United States. \nZarif has served as a panelist for the San Francisco Arts Commission Community Investments Committee and is currently the Artistic and Managing Director of Red Poppy Art House\, a multidisciplinary artist incubator in San Francisco. She holds an MA in Landscape Architecture from the University of Tehran\, College of Fine Arts. \nAmelia Romano (harp\, voice) is a lever harpist\, programming classical re-imaginations alongside original works. She received her master’s in classical lever harp performance at San Francisco State University under the tutelage of Karen Gottlieb\, retired second harpist of the San Francisco Symphony. Her latest album\, “Levers Engaged: Classical Works Re-imaged for Harp ” and sheet music collection “Classical Re-imaginations\,” present the instrument as a valid voice in classical music. A composer\, arranger and trailblazer in the lever harp world\, she is equally at home writing Latin America inspired works for solo harp as she is adapting classical pieces for chamber collaborations. \nAsaf Ophir (woodwinds\, voice\, guitar) began his professional career in musical theaters in Israel\, while studying at the Rimon School of Jazz and Contemporary Music\, and later at the Jerusalem Academy. Arriving in the United States in 2014\, he began to perform in musicals around the Bay Area such as the award winning Love Sick in 2017\, and The People in the Picture in 2018. Finding a home away from home\, he can most often be seen in world music projects on Jewish\, Arabic\, and Balkan stages. \nAsaf has performed on such distinguished stages as Habima\, HaCameri\, and Jerusalem Theaters in Israel\, as well as the Paramount Theater\, the Palace of Fine Arts\, the Great American Concert Hall\, Freight and Salvage\, Brava Theater\, and others in the San Francisco Bay Area. Throughout his career he has shared the stage with artists such as Miri Mesika\, Avi Kushnir\, Galit Giat\, Rana Farhan\, Ustad Mahwash\, and Barbara Streisand.  \n \nBetween Two Rivers\nContemporary Kurdish folk \nFeaturing:\nElana Sasson – Vocal  \nElana is a vocalist\, composer\, and bandleader creating music at the intersection of Kurdish and Persian traditions\, contemporary jazz\, and Mediterranean folkloric influences. She explores themes of identity and duality: weaving emotive modal melodies\, intricate harmonic textures\, and diverse instrumentation to dialogue between tradition and modernity. \nShaped by years of training with master musicians from Iran and Kurdistan and studies at the Berklee College of Music in Valencia\, Elana’s clear voice reflects a fusion of rich tradition and personal expression. Her music has been celebrated with nods from global press such as Songlines Magazine\, who described her voice as “an arrestingly beautiful focus” and gave a 4 star review to the album ‘Golestan’. Her new album\, ’In Between’ released with PKMusik in April 2025 and received shining reviews from press\, including a 4 star review from Songlines. \nShe has graced global stages at prestigious venues such as Fundación Juan March (Madrid\, Spain)\, Palau de Les Arts Reina Sofia (Valencia\, Spain)\, Stone Nest (London\, UK)\, Yerba Buena Center for the Arts (San Francisco\, California)\, and Fabrica Research Centre (Treviso\, Italy). Elana has been featured in festivals across Europe such as UPV Jazz Festival in Valencia\, Spain\, Isole Che Parlano in Sardigna\, Italy\, and AtoJazz Festival in Sofia\, Bulgaria. \nElana’s voice can be heard on Growing Songs\, a 2024 album produced by esteemed Iranian vocalist Mahsa Vahdat\, and her music was featured in the 2023 Venice Biennale-premiered film Tatami. She has collaborated with renowned musicians such as Matthieu Saglio\, Mahsa Vahdat\, Perico Sambeat\, and Hadar Noiberg. \nElana holds a Master of Music in Contemporary Performance and Production from Berklee College of Music in Valencia and a BA in Design Media Arts from UCLA. She was a resident at Fabrica Research Centre in 2019 and is a member of the Iranian Female Composers Association (IFCA). \n \nEchoes of Zagros\nLove\, resilience & freedom\nIn Solidarity with the People of Iran \nEchoes of Zagros brings together Kurdish musical traditions in solidarity with the people of Iran. Rooted in the sounds of the Zagros Mountains\, the program weaves ancestral rhythms and melodies into a shared human story of resilience\, love\, and freedom.  \nFeaturing: \nNariman Assadi – Daf \nAsaf Ophir – Clarinet\nEvîn Şah – Vocal \nRaman osman – Baglama \nEvîn Şah is a Kurdish singer and performer who brings together the traditional roots of Kurdish music with a contemporary interpretation. She was born in Muş\, Turkey\, and was introduced to Kurdish folk music at an early age\, particularly the dengbêji tradition. Throughout her artistic journey\, she has aimed to preserve this heritage through both live performance and recorded work\, while carrying it to diverse audiences and geographies. \nEvîn Şah completed her music education at the Istanbul University State Conservatory\, where she received training in folk music and modal (maqam-based) traditions. Combining her academic background with extensive stage experience\, she has developed a distinctive vocal style of her own. Her repertoire features primarily Kurmanji\, alongside other Kurdish dialects\, as well as songs in Turkish and Armenian. Blending traditional melodies with modern arrangements forms the core of her musical identity. \nShe has performed widely in Turkey and abroad\, taking part in concerts\, cultural events\, festivals\, and special projects. In her work\, music is not only an aesthetic expression but also a means of memory\, identity\, and cultural transmission. \nSince 2019\, Evîn Şah has focused on studio production. She released the 9-minute potpourri single “Hine”\, followed in 2021 by “Şahino\,” a tribute to her cultural roots. The music video for Şahino was filmed in the United States. Both of her music videos were directed by her husband\, Oktay Şahin. \nIn 2019\, Evîn Şah relocated with her family from Turkey to California\, USA\, where she continues her musical work today. With her strong stage presence and emotionally powerful interpretations\, she stands out as an artist who resonates with both the Kurdish community and international audiences. \nNariman Assadi was born in Hamedan\, Iran on January 1\, 1992. Raised in Tehran\, he always felt drawn to percussion instruments. At the age of thirteen\, he began studying Tombak under Master Amir Mogharab Samadi. In 2007\, he was invited to Pars Academy\, the premier music academy for children. Following Pars Academy\, Nariman was selected to be a member of the Persian Percussion Ensemble\, which included a hundred percussionists. From 2008 to 2013\, Nariman performed at Vahdat Hall as a soloist and with the Persian Percussion Ensemble. After mastering Tombak\, he then began teaching himself how to play the Daf and later was trained under the great Master Bijan Kamkar. With a strong understanding of the Daf and Tombak\, Nariman wanted to further his skills as a percussionist by learning the melodic instrument\, Barbat (Oud) under Master Mohammad Firouzi. In 2015\, Nariman immigrated to the United States. He immediately began his professional music career by performing and attending festivals throughout the Northern California area. Along with being a member of various ensembles\, Nariman also teaches Daf and Tombak. \nRaman Osman is a Kurdish composer and master tembûr (saz) musician from Al-Hasaka\, Syria. In his early age\, he was exposed to a variety of music and cultural sources like Kurdish\, Persian\, Arabic\, Turkish\, Armenian\, Assyrian\, and more. Osman has performed at a variety of venues\, including the Damascus Opera House\, several universities in Syria\, and throughout the Bay Area. \n\nVisual Art Exhibition: Fracture Zones\n \nInspired by the geographical language and imagery of topographic maps\, particularly the large scars forming “fracture zones” deep beneath the surface of the Atlantic Ocean\, she uses these fissures as a metaphor for the layers of emotional experience related to ancestry\, immigration\, and lost family narratives. \nAndrea Guskin is a San Francisco Bay Area based multidisciplinary artist who was raised amongst the woods and college campuses of Wisconsin and Ohio.  \nShe works across multiple disciplines including photography\, sculpture\, and painting. She often uses everyday domestic materials and tools for mending–such as thread\, foil\, spices– to explore ancestry\, domesticity and strategies for repair and transformation in our daily lives. \n\nMAPP GENERAL PROGRAM\nJoin us in MAPP at all other spaces throughout the Mission District. \n\n\n  \n\n\n\nPREVIEW THE PERFORMANCE\n\nKhatchadour Khatchadourian \nDina Zarif & Amelia Romano \nElana Sasson \nEvîn Şah – Vocal  \n\n\nIN PERSON EVENT DETAILS\nTime: Saturday\, February 7th\, 2026\, 7pm- 10pm (IN-PERSON) \nAdmission: Free! \n\n \n  \nDONATE
URL:https://redpoppyarthouse.org/event/february-7th-mapp-2026/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,February,MAPP
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DTSTART;TZID=America/Los_Angeles:20260214T190000
DTEND;TZID=America/Los_Angeles:20260214T201500
DTSTAMP:20260119T222748Z
CREATED:20260119T220303Z
LAST-MODIFIED:20260119T222748Z
UID:17707-1771095600-1771100100@redpoppyarthouse.org
SUMMARY:The Musical Art Quintet
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n  \n  \n\n\n\n\nThe Musical Art Quintet\n“The LOVE concert” “Valentine’s Day Concert a Love Theme” \n\n\n\nThe music of The Musical Art Quintet will get your heart racing\, and awaken your passion. The theme of the concert is love and we will explore the many facets of love with romantic music from around the globe. Featuring the original compositions and arrangements of Latin Grammy nominated bandleader\, Sascha Jacobsen\, and special guest percussionist\, Aaron Kierbel\, expect the unexpected\, as we celebrate Valentine’s Day together. \nAnthony Blea\, violin\nMichele Walther\, violin\nCharith Premawardhana\, viola\nMischa Sascha Jacobsen\, bass \nSaturday\, February 14\, 2026\nTime: 6:30 pm doors\, 7:00 pm show\nAdmission: (Online) $25 student & senior – $29 Early Bird – $35 General / (Door) $35 \n\n\nABOUT THE ARTISTS: \nThe Musical Art Quintet was formed in 2008 in the Mission district of San Francisco during chamber music jam sessions every Sunday night at Cafe Revolution. Each week a new piece of music was written by MAQ band leader Sascha Jacobsen to be performed at Classical Revolution\, and ink still wet\, we would read through the piece in front of a live audience. As our repertoire grew\, a core group of players emerged and the quintet was founded. \nThe name of the quintet is taken from The Musical Art Quartet\, a string quartet formed in the 1920’s and led by the Great-Grandfather and namesake of the bassist and composer of the quintet\, Sascha Jacobsen. \nAlthough classically trained\, the members of The Musical Art Quintet are skilled improvisors and each one brings with him a special area of expertise. Whether it is Jazz\, Argentine Tango\, Afro-Cuban Son\, or Klezmer\, the Quintet is at home. The music of band leader\, Sascha Jacobsen\, propels the group with rhythmic\, lyrical\, modern compositions\, and new arrangements of pieces by great composers of all genres. \nCollaboration is key to the group’s mission\, and they have done so with a wide variety of artists including Painter\, Peggy Gyulai\, The rock band\, Third Eye Blind\, Rapper\, Phesto Dee of Heiroglyphics\, Director of the Flamenco Theatre Company of SF\, Carola Zertuche\, Pianists Lara Downes and Serene\, The SF Silent Film Festival\, The SF Jewish Film Festival\, Latin Jazz master Doug Beavers\, Banjo virtuoso Tim Weed\, and many others. \nwww.musicalartquintet.com\nhttps://www.facebook.com/MusicalArtQuintet \n\n \n\nEVENT DETAILS\nSaturday\, February 14 2026\nTime: 6:30 pm doors\, 7:00 pm show\nAdmission: (Online) $25 student & senior – $29 Early Bird – $35 General / (Door) $35 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/the-musical-art-quintet/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,February,Performing Arts
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DTSTART;TZID=America/Los_Angeles:20260221T193000
DTEND;TZID=America/Los_Angeles:20260221T203000
DTSTAMP:20260119T232222Z
CREATED:20260119T224401Z
LAST-MODIFIED:20260119T232222Z
UID:17717-1771702200-1771705800@redpoppyarthouse.org
SUMMARY:Sudamericanto
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n  \n  \n\n\n\n\nSudamericanto\nBlending jazz with Latinamerican\, Caribbean and Brazilian rhythms \n\n\n\nSudamericanto’s unique brand of latin-american music combines Brazilian jazz with South and Central American folk rhythms\, taking audiences along a journey through traditions from South America and the Caribbean with a Brazilian jazz twist. Featuring multi-faceted Puerto Rican vocalist/interpreter Madeleine Zayas and high caliber Bay Area musicians/educators coming together to play fresh compositions of Brazilian Jazz tunes\, in addition to original arrangements of carefully selected Latin American classics from Argentina\, Chile\, Perú\, Venezuela\, Mexico\, Cuba\, and Puerto Rico. \nSudamericanto draws from the sounds rooted in the traditions of afroperuvian landó\, zamacueca\, Brazilian samba\, Puerto Rican bomba and guaracha\, joropo venezolano\, son cubano and boleros – tied together with rhythmic precision and jazzy flavors. \nMadeleine Zayas\, Vocals and Percussion\nMarcos Silva\, keyboard\, arrangements\nMichaelle Goerlitz\, percussion\nDavid Pinto\, Bass\, arrangements \nSaturday\, February 21\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 student & senior – $29 Early Bird – $35 General / (Door) $35 \n\n\nABOUT THE ARTISTS: \nBorn and raised in Puerto Rico\, Madeleine Zayas is a Latin American singer/interpreter and choreographer based in Oakland\, CA. who started a professional dance career at age 15 in San Juan\, Puerto Rico. She has performed as a dancer in theaters and television in Puerto Rico\, California and Nevada since 1985. She is co-founder and artistic director of various Bay Area musical groups since 2014. Madeleine has shared stage with Tohnino Horta\, Cheo Feliciano\, Inti Illimani\, John Santos\, and Holly Near. Her love of folk music is rooted in the jibaro traditions of the mountains from Puerto Rico and her eclectic repertoire blends Nueva Canción/Nueva Trova traditions with latinoamerican folk and Artsong. \nMarcos Silva is a Brazilian native multi-instrumentalist\, composer\, arranger and educator who performs worldwide. Nominated for a Grammy\, he has toured with many world-renowned artists\, including Paquito D’Rivera\, Bud Shank\, Dori Caymmi\, and many others. He was musical director for Flora Purim and Airto Moreira for 23 years. Marcos has written arrangements for Dizzy Gillespie’s band and replaced Gil Evans as arranger-composer of Airto’s Spiritual Mass. He is founder and director of the Brazilian Jazz Department at California Jazz School in Berkeley. \nDavid Pinto is a Peruvian native best-known for his work as music director\, arranger\, and bassist for Grammy-winner Susana Baca\, Diva of Afro-Peruvian song. He was member of Peru Jazz\, a group highly praised for their innovation and fusion of Peruvian roots and jazz. \nMichaelle Goerlitz has been playing drums and percussion since she was eight years old. After attending college in the Midwest\, she moved to San Francisco in 1980 to continue her studies\, which have led to exploration of Brazilian\, Afro Cuban\, Venezuelan\, Peruvian and Middle Eastern rhythms (plus American idioms jazz\, R & B & funk). She was a founding member of two renowned & long-term projects\, the Blazing Redheads and Wild Mango. Both groups blended many different styles which showcased Michaelle’s versatile percussive skills. \nhttps://www.facebook.com/myloscarpinteros\nhttps://www.facebook.com/madeleine.zayasmart.3 \nHome \n\nhttps://www.karumanta.com/david.htm9\nhttp://www.michaellegoerlitz.com/ \n\n\n \n \n  \n\n\nCampo \nNegra Presuntu \nGeneral \nFinale \n\n\n \nEVENT DETAILS\nSaturday\, February 21\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 student & senior – $29 Early Bird – $35 General / (Door) $35 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/sudamericanto-3/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,February,Performing Arts
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DTSTART;TZID=America/Los_Angeles:20260228T190000
DTEND;TZID=America/Los_Angeles:20260228T201500
DTSTAMP:20260120T195540Z
CREATED:20260120T053250Z
LAST-MODIFIED:20260120T195540Z
UID:17727-1772305200-1772309700@redpoppyarthouse.org
SUMMARY:IAN MAKSIN: "Songs of Love & Peace" New Album Tour
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n  \n  \n\n\n\n\nIAN MAKSIN: “Songs of Love & Peace” New Album Tour\nAn incredible musical journey with world acclaimed one-man cello orchestra multilingual vocalist Ian Maksin \n\n\n\nGet immersed in the deep sounds of Ian Maksin’s soulful one-man-cello orchestra\, paired and blended with his vibrant voice\, as he explores a collection of traditional songs from different corners of the world: Armenia\, Iran\, Medieval Spain and France and more. His latest release reflects the path of a true musical globetrotter: a sonic offering shaped by countless journeys across continents as a touring artist\, along with mountaineering\, flying airplanes\, practicing meditation\, and collaborating with local musicians in search of the mystical thread that connects all cultures. This album invites listeners into a space of presence\, clarity\, and emotional restoration. \nIn addition to music from the new album\, Ian will perform works from his earlier opuses—The Alchemist\, Amor Renatus—as well as selections from his vast repertoire of over 300 songs in 43 languages. With loop pedal and other electronics\, he transforms the cello into an entire orchestra\, merging timeless global traditions into an unforgettable\, immersive\, and deeply personal experience. \nIAN MAKSIN: cello\, vocals\, loop pedal \nSaturday\, February 28\, 2026\nTime: 6:30 pm doors\, 7:00 pm show\nAdmission: (Online) $29 Students & Seniors – $35 Early Bird – $40 General / (Door) $40 \n\n\nABOUT THE ARTISTS: \nBREAKING BOUNDARIES both musical and geographical\, cellist\, composer and multilingual vocalist IAN MAKSIN has created his own unique style by blending elements of different genres and traditional music from around the globe in a new way using his cello as the main unifying force. \nONE-MAN ORCHESTRA:In addition to cello\, he used an electronic device called the loop pedal\, which allows him to create “loops” or layers by recording and replaying his own playing in real time. \nSINGING IN 30 LANGUAGES: What began as a hobby and a passion for linguistics and travel has become part of a unique concert experience. At this time Ian Maksin sings in 30 languages including Ukrainian\, Russian\, English\, Farsi\, Armenian\, French\, Italian\, Arabic\, Hebrew\, Mongolian\, Bambara (one of the tongues spoken in West Africa) and many other exotic languages. Most of this repertoire was amassed by Maksin during his world travels\, jam sessions and collaborations with local musicians. Many of his original songs and instrumental compositions are also infused with flavors of ethnic music from countries and regions where he drew inspiration from: Mongolia\, West Africa\, Middle East\, the Balkans\, Andalusian flamenco. \nTHE GLOBAL MUSICIAN: Ian Maksin was born in Leningrad\, USSR into a multinational family and grew up absorbing many cultures and traditions from an early age. He began playing guitar and piano at age 3 and cello at age 6 at the School for Gifted Children in Leningrad and then came to the USA at 16 to continue studies at the Manhattan School of Music in New York City. After working for many years in the classical genre including a three-year tenure with the New World Symphony in Miami Ian has decided to look for his own musical path. His diverse musical experience\, including playing rock and blues guitar and passion for jazz and world music has allowed him to take the cello to a new dimension and develop his own distinct style as a musician and composer. In Ian’s own words: “At some point I realized that music is much more than mere entertainment. Music is one of most powerful and unifying forces in the world\, capable of healing\, inspiring\, bringing people together and bringing peace among them. I believe that cello will save the world” \nianmaksin.com\nfacebook.com/cellomaxx\ninstagram.com/ianmaksin\nyoutube.com/ianmaksin\nopen.spotify.com/artist/2OdXXipsrskFeePBpIdtc2\nmusic.apple.com/us/artist/ian-maksin/268783791 \n\n \n\nEVENT DETAILS\nSaturday\, February 28\, 2026\nTime: 6:30 pm doors\, 7:00 pm show\nAdmission: (Online) $29 Students & Seniors – $35 Early Bird – $40 General / (Door) $40 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/ian-maksin-songs-of-love-peace-new-album-tour/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,February,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/01/LLB-ART-LANDSCAPE-Ian-Maksin-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260306T193000
DTEND;TZID=America/Los_Angeles:20260306T210000
DTSTAMP:20260303T073842Z
CREATED:20260223T064231Z
LAST-MODIFIED:20260303T073842Z
UID:17845-1772825400-1772830800@redpoppyarthouse.org
SUMMARY:Contemporary Tango
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n  \n  \n\n\n\n\nContemporary Tango\nParis Meets the Bay: A Night of Tango \n\n\n\n\nThis concert will feature the Paris based Tango trio: Colombo/Kociolek/Frontini trio in collaboration with our very own Bay Area violinist Basma Edrees. The concert will feature new arrangements and works by the world renowned Argentinian bandoneonist Fabrizio Colombo. \nFeaturing: \nFabrizio Colombo: Bandoneon\nEmilie Aridon-Kociolek: Piano\nBasma Edrees: Violin\nLucas Frontini: Bass \n\n\n\nFriday\, March 6\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \n\n\nABOUT THE ARTISTS: \nColombo/Kociolek/Frontini trio bio: \nThe CKF is a Paris-based tango trio founded by bandoneonist Fabrizio Colombo\, pianist Émilie Aridon-Kociołek\, and double bassist Lucas Frontini\, united by their passion for the great Argentine tango trios. Inspired especially by Buenos Aires’ 1970s Vanguatrio\, their repertoire\, arranged by Colombo\, blends a strong tango identity with jazz influences and dazzling virtuosity. Through this project\, the three musicians fuse their distinctive sounds and energies to explore the magic of the trio format and carve out their own voice within today’s vibrant landscape of contemporary instrumental tango. \nFabrizio Colombo\, an acclaimed Argentine bandoneonist\, composer\, and arranger\, was born in Mendoza in 1994 and is now based in Paris. Renowned for his expressive versatility\, he bridges tango\, jazz\, and classical music with equal mastery. Winner of the 2019 Che Bandoneón International Competition\, he joined the Quinteto Revolucionario\, the official ensemble of the Astor Piazzolla Foundation\, for tours across Switzerland and South Korea. Colombo has performed worldwide and shared stages with legends such as Néstor Marconi and Alexis Cárdenas. Continuing his family’s tango legacy\, he has released five acclaimed albums\, including Siempre Paris (2025) and Celedonio (2022). \nÉmilie Aridon-Kociolek is a distinguished French pianist and graduate of the Conservatoire National Supérieur de Musique et Danse de Paris\, where she studied with Michel Béroff and Claire Désert\, she has been awarded in numerous national and international competitions. She has performed as a soloist with the Lille and Lyon National Orchestras\, and collaborated with bandoneonist William Sabatier on Astor Piazzolla’s Hommage à Liège recording. Winner of two prizes at the 2021 Piazzolla Music Competition\, she appears regularly with Quinteto Respiro\, and in projects blending classical\, jazz\, and tango traditions. \nBasma Edrees is praised for her expressive artistry and rich\, lyrical tone\, and as a Juilliard-trained violinist she bridges Western classical\, Arabic\, and Argentine Tango music. Introduced to Tango through the works of Astor Piazzolla\, she discovered a musical space where her classical precision and Arab lyricism converge. She studied Tango violin with renowned violinist Guillermo Rubino of the Orquesta Escuela de Tango Emilio Balcarce and has performed with leading Tango musicians\, including Ramiro Boero and Julian Peralta. Beyond Tango\, Basma has appeared as soloist internationally\, founded the Bay Area’s Egyptian heritage ensemble Music in-Takht\, and serves as violin faculty at Santa Clara University. \nArgentine double bassist Lucas Eubel-Frontini brings virtuosic energy and stylistic versatility to today’s tango and classical scenes. Born in Argentina\, he began on electric bass before immersing himself in double bass studies with renowned bassist Roberto Tormo. He refined his craft in France at the Conservatoire Régional de Toulouse\, earning a performance diploma with high honors\, and later completed a Bachelor with Honors at Trinity Laban in London. Now based in Paris\, Lucas is in high demand as a freelance artist\, performing with leading Argentine music ensembles including Quinteto Emedea\, Orquesta Silbando\, Cuarteto Lunares\, TaXXI\, and Orquesta Tanguísimo. \nhttps://www.youtube.com/@fabriziocolombo7teto \n\n \n\nEVENT DETAILS\n\nFriday\, March 6\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \n\nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/contemporary-tango/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,March,Performing Arts
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/02/FabrizioColombotrioBasma.03_06_2026-Basma-Edrees.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260329T190000
DTEND;TZID=America/Los_Angeles:20260329T201500
DTSTAMP:20260410T205631Z
CREATED:20260303T070926Z
LAST-MODIFIED:20260410T205631Z
UID:17863-1774810800-1774815300@redpoppyarthouse.org
SUMMARY:Echoes of Solidarity
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n  \n  \n\n\n\n\nEchoes of Solidarity\nComing Together with Music and Movement \n\n\n\n\n\nIn these challenging times\, coming together through music\, movement\, and shared artistic expression is one of the most powerful ways to nurture solidarity and human connection. Across cultures\, music and dance have long served as languages of resilience\, empathy\, and collective strength. \nJoin us for a journey of music and dance across the diverse cultural landscapes of the Middle East and Central Asia—from Iran to Afghanistan and beyond—featuring some of the Bay Area’s finest folk performers. Through rhythm\, melody\, and movement\, this gathering celebrates the bonds that connect communities and reminds us that even in difficult moments\, art can bring people together. \n\n \nFeaturing:\n \nNatalie Nayun – danceSirvan Manhoobi – oudAsaf Ophir – clarinetAmir Etamadzadeh – percussion\n \nSunday\, March 29\, 2026\nTime: 6:30 pm doors\, 7:00 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35\n \n\n\n\nABOUT THE ARTISTS: \nNatalie Nayun is an international teacher and performer\, specializing in contemporary and folkloric styles from Central Asia and the Middle East. She holds a degree in modern dance from UC Berkeley and is a certified Franklin Method Teacher and comprehensive Pilates instructor. Natalie is the artistic director of Ballet Afsaneh and founder of Pomegranate Garden Dance\, an international online dance school featuring teachers and students from around the world. Her expertise includes Persian\, Afghan\, Tajik and Uzbek dance\, among other styles. She has been dancing for over 20 years and teaching for over 15 years.\nwww.nayundance.com \nSirvan Manhoobi is a Kurdish Iranian oud and tar player as well as a composer. He was chosen for the Best Soloist award at Iranian music festivals in 2006\, 2008 and 2009. After completing his MA in archaeology from Tehran University\, Sirvan moved to the United States and continued his musical career. He established the Bamdad Ensemble and collaborated with great artists such as Bijan Kamkar\, Aziz Shahrokh\, Ardeshir Kamkar and Ismaeel Sabour\, as well as the renowned Iranian director Bahram Bezraei in his play Tarabnameh (2016). Sirvan is currently beginning his PhD music studies at the University of California.\nwww.sirvanmanhoobi.com \nAsaf Ophir began his professional career in Israeli musicals\, playing in some of the most distinguished theaters in his home country. Having moved to the United States in 2014\, Ophir performs throughout the Bay Area in many Jewish\, Middle Eastern and Balkan productions\, as well as classical and jazz. He has shared the stage with artists such as Avi Kushnir\, Emel Mathlauthi\, Ustad Mahwash and Barbra Streisand. The San Francisco Chronicle writes: “Asaf Ophir gives the clarinet the timbre of a trumpet\, then a violin\, then a raspy scream… the instrument’s wail almost becomes too plaintive and beautiful to bear.”\nwww.asafophir.com \nAmir Etemadzadeh is a percussionist and educator\, specializing in Persian and Middle Eastern music traditions. With years of experience teaching Tombak\, Daf\, Darbuka\, Tar and other traditional instruments\, he has inspired students of all ages worldwide. Amir is the founder of Amir School of Music\, and the author of several instructional books on percussion. Beyond teaching\, Amir performs and collaborates with diverse artists\, exploring the healing power of music in community and therapeutic settings. His passion is to connect cultures and hearts through the universal language of music.\nwww.amirschoolofmusic.com \n\n\nEVENT DETAILS\n\nSunday\, March 29\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \n\nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/nowruz/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,March,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/03/March29-Nowruz-Asaf-Ophir.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260419T180000
DTEND;TZID=America/Los_Angeles:20260419T200000
DTSTAMP:20260410T222539Z
CREATED:20260409T054626Z
LAST-MODIFIED:20260410T222539Z
UID:17935-1776621600-1776628800@redpoppyarthouse.org
SUMMARY:Season for Iran: Exhibition Opening of BĀZ-TĀB (Reflection)
DESCRIPTION:RSVP to the Facebook event:\n \n  \n  \n\nBĀZ-TĀB\nAs part of A Season for Iran\, we are honored to present BĀZ-TĀB—meaning reflection—an immersive performance and installation rooted in the architectural memory of Iran. Through large scale charcoal hand-drawing\, paper sculpture\, sound\, and spatial performance\, the work reconstructs the dreamlike fragments of places remembered: courtyards\, domes\, wind towers\, and the intimate interiors of Iranian homes. Centered around the symbolic courtyard and howz (pool)\, the audience is invited to gather inside a living memory-space shaped by longing\, displacement\, and return. BĀZ-TĀB becomes not only an artwork\, but a collective act of remembering the spaces\, sounds\, and emotions that continue to live within us across distance. Throughout the evening\, Sima and Nima will serenade us with songs that echo the tenderness\, longing\, and resilience carried through the spaces of memory. \nSunday\, April 19th\, 6pm – 8pm\nRed Poppy Art House\n2698 Folsom Street\, San Francisco \nRSVP\, Donation encouraged \n\nABOUT THE ARTIST\nSima Shahverdi is an Iranian architect and vocalist based in Brooklyn. She holds a B.Arch from the Art University of Tehran\, an M.Arch I from the University of Tehran\, and an M.Arch II from UCLA’s Suprastudio program under Greg Lynn\, where she collaborated with Boeing\, Bot & Dolly\, UCLA’s IDEAS Robotics Lab\, and Cirque du Soleil. Her professional work spans architectural design\, fabrication\, and process development at offices including AI SpaceFactory\, Why Architecture\, Kevin Daly Architects\, and Kreysler & Associates. \nAlongside her architectural practice\, Sima is a self-taught vocalist and co-founder of Koubeh\, a Brooklyn-based band drawing from Iranian folk traditions while developing original work. Koubeh’s single “Kook” became a breakout release\, and the band has performed across the U.S. at venues including Nublu 151 and Nublu Classic in New York City\, completing a sold-out West Coast run in San Francisco\, Los Angeles\, and Scottsdale. Her current work brings these two practices together – architecture and music – into an integrated\, multidisciplinary performance rooted in Iranian cultural memory. \nGuest artist: Nima Farzaneh \n \nNima is an architectural designer and researcher in the musical and architectural acoustics domain\, working toward a Ph.D. at the Center for Computer Research in Music and Acoustics at Stanford University. He holds a bachelor’s degree in architecture and M.S. in landscape architecture from Iran. In 2010 he moved to the U.S. and studied at Pratt Institute’s post-professional architecture M.S. program focused on computation and design. After practicing architecture in New York City from 2011 to 2019\, he went to RPI (Rensselaer Polytechnic Institute) to specialize in architectural acoustics. His research interest is primarily the study of acoustics in Iran’s historical architectural spaces and its correlation with the region’s aural traditions\, rituals\, and music. Having an interest in working with new media\, he incorporates technologies such as virtual acoustics\, VR\, and immersive experience for recreating architectural spaces and space-based musical experiences. \nVisual Art Exhibition: BĀZ-TĀB\nBĀZ-TĀB (meaning reflection) is a body of work rooted in the architectural memory of Iran. Each piece begins as a large-scale hand drawing of a specific Iranian site – a courtyard\, a dome\, an arched passage – built up gradually in charcoal\, documented frame by frame\, and brought to life as an animated drawing. Three-dimensional paper sculptures grow out of the drawings\, collapsing the boundary between image and object. Sound mirrors the spatial and emotional quality of each place. Together\, the drawing\, moving image\, and sound aim to recreate something closer to how we actually remember a place: not as a photograph\, but as a dream – fragmentary\, layered\, and alive. \nThe performance proposed for Red Poppy takes this further. Two parallel walls become the interior faces of an Iranian house – one the tabestān-neshin\, the summer room\, one the zemestān-neshin\, the winter room. The audience sits at the center\, where the courtyard would be. We are Iranians\, scattered across cities\, each carrying the last memories of a place we can no longer easily return to. My memories are the architectural spaces I walked through as a student – the hum of people under a dome\, a voice carrying across a courtyard\, the cool of wind descending through a badgir. In this performance\, we gather at the howz. We sit by the water. We look up at the sky. We let ourselves miss Iran – together\, out loud\, held by sound and image and each other. \nThis is not documentation. It is not nostalgia. It is the act of remembering as a collective\, bodily\, present-tense experience. We become part of the house. The house becomes part of us. \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]\n	\n\n\nEVENT DETAILS\nSunday\, April 19\, 2026\nTime: 6pm – 8pm  \nAdmission: FREE\, Donation encouraged \nRSVP to the Facebook event:\n \n  \n  \nVolunteer for this event!
URL:https://redpoppyarthouse.org/event/season-for-iran/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:April,Events,Exhibitions and Receptions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260425T193000
DTEND;TZID=America/Los_Angeles:20260425T210000
DTSTAMP:20260410T220802Z
CREATED:20260409T061601Z
LAST-MODIFIED:20260410T220802Z
UID:17945-1777145400-1777150800@redpoppyarthouse.org
SUMMARY:Season for Iran - Kamân duo: Mazdak Alipour\, Nariman Assadi
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n  \n  \n\n\n\n\nSeason for Iran – Kamân duo: Mazdak Alipour\, Nariman Assadi\nVoices of Resilience: Music from Lorestan \n\n\n\n\n\nPresented as part of Season for Iran. \nFrom the mountains of Lorestan\, melodies rise carrying memory\, endurance\, and voices that continue across generations. \nPerformed on kamancheh and Iranian percussion\, this program draws from a living tradition\, one that persists\, adapts\, and is shared\, even in difficult times. \nAs part of Season for Iran\, this gathering offers a space to listen\, reflect\, and come together through music across distances\, across communities. \n\nFeaturing:\n \nMazdak Alipour – Kamancheh and Vocal\nNariman Assadi – Percussion\n \nSaturday\, April 25\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $29 Students & Seniors – $35 Early Bird – $40 General / (Door) $40\n \n\n\n\nABOUT THE ARTISTS: \nMazdak Alipour: International Kamancheh Virtuoso & Award-Winning Composer \nWith a distinguished career spanning over 30 years\, Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.\nGlobal Recognition & Awards Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for his innovation in Persian music:\nGlobal Music Awards: Multi-award winner\, holding both Silver and Bronze Medals (2020 & 2021). \nSilk Road Project: Featured soloist conducted by the Academy Award-winning Tan Dun. \nUNESCO: Distinguished performer at “Mozart Day” in France. \nUCLA Collaboration: Currently collaborating with the University of California\, Los Angeles (UCLA)\, contributing to its prestigious musical programs and showcasing his expertise through specialized performances and cultural initiatives. \nMusical Vision & Innovation Currently based in Los Angeles\, Mazdak is renowned for his mastery of musical fusion\, blending ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education. \nNariman Assadi is an Iranian musician. Raised in Tehran\, he always felt drawn to percussion instruments\, and at the age of thirteen\, he began studying Tombak under Master Amir Mogharab Samadi. From 2008 to 2013\, Nariman performed at Vahdat Hall as a soloist and with the Persian Percussion Ensemble at Pars Academy\, the premier music academy for children. After mastering Tombak\, he then began learning Daf under the great Master Bijan Kamkar\, and with a strong understanding of the Daf and Tombak\, Nariman started learning Barbat (Oud) under Master Mohammad Firouzi. In 2015\, Narimanimmigrated to the United States\, where he immediately began his professional music career by performing and attending festivals. Along with being a member of various ensembles\, Nariman is a certified-Orff teacher and teaches Daf\, Tombak\, and Music for children. \nIn 2022\, he toured all over the United States with Afra Ensemble\, led by Master Hossein Behrouzina\, and additionally\, Narimanrelaeasd his first album Larzanah\, Improvisation of Iranian Folk Music\, with Master Faraj Alipour on vocals and Kamancheh. Currently\, he teaches Iranian Music at Farsi Schools in Sacramento and the Bay Area. He also teaches music at more than seven elemantary schools in Sacramento. \n\n\nArtist Links \nMazdak Alipour: mazdakalipour.comNariman Assadi: narimanpercussion.com \nInstagram:Nariman Assadi (@nariman.percussion)Mazdak Alipour (@moslemalipour) \nFacebook:Moslem AlipoorNariman Assadi \nEVENT DETAILS\n\nSaturday\, April 25\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $29 Students & Seniors – $35 Early Bird – $40 General / (Door) $40\n\nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/kaman-duo-mazdak-alipour-nariman-assadi/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:April,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/04/April-25-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260515T193000
DTEND;TZID=America/Los_Angeles:20260515T210000
DTSTAMP:20260514T185718Z
CREATED:20260422T190741Z
LAST-MODIFIED:20260514T185718Z
UID:18043-1778873400-1778878800@redpoppyarthouse.org
SUMMARY:Garotas da Lua
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n \nGarotas da Lua\nBrazilian Vocal Harmony Ensemble \n“Garotas da Lua” is an exciting new three voice harmony group\, singing MPB\, Samba and Bossa Nova. The group honor the great tradition of Brazilian Vocal groups from the last half of the 20th century through present day(Quarteto Em Cy\, MPB4\, Boca Livre and more)\, singing fresh arrangements of classics and gems by composers such as Chico Buarque\, Antonio Carlos Jobim\, Ary Barroso\, Dori Caymmi. \nFeaturing: \nSandy Cressman\, Catia Lund and Lillian Yee\, Vocals\nRicardo Peixoto\, 7 string guitar\nAmi Molinelli\, percussion \nFriday\, May 15th\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nABOUT THE ARTISTS: \nGarotas da Lua honor the great tradition of Brazilian Vocal groups from the last half of the 20th century through present day\, singing fresh arrangements of classics and gems by composers such as Chico Buarque\, Antonio Carlos Jobim\, Ary Barroso\, Dori Caymmi and more. \nThe voices of “Garotas da Lua” are: \nSandy Cressman: known for her group “Homenagem Brasileira”\, with whom she has recorded 3 critically acclaimed CDs\, and played venues and major festivals in the U.S. and Brazil. \nCatia Lund: Originally from Rio de Janeiro\, Catia is the lead vocalist for Oakland Samba Revue\, for Bébé(Brazil East Bay Ensemble)\, Samba 415 and more. \nLillian Yee: Vocalist of The Brazilian Project\, and collaborator within the wider Bay Area Brazilian Music community. She is co-founder of the Women Composers Collective and of Garotas da Lua\, where she also serves as one of the group’s arrangers. \nThe vocalists are accompanied by Ricardo Peixoto\, the well-known 7 string guitarist and percussionist Ami Molinelli. \nArtist Links \nWebsitewww.cressmanmusic.comwww.ricardopeixoto.com \nFacebookSandy Cressman Music Facebook GroupSandy Cressman Music on Facebook \nInstagram@garotasdalua.musica \n  \nEVENT DETAILS\nFriday\, May 15th\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/garotas-da-lua/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Salons,Events,May,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/04/Garotas-da-Lua-e1776886081267.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260522T193000
DTEND;TZID=America/Los_Angeles:20260522T210000
DTSTAMP:20260428T222918Z
CREATED:20260428T222618Z
LAST-MODIFIED:20260428T222918Z
UID:18060-1779478200-1779483600@redpoppyarthouse.org
SUMMARY:Rebecca Kleinmann Quintet
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n \nRebecca Kleinmann Quintet\nVenezuela to Brazil  \nThe Red Poppy presents the Rebecca Kleinmann Quintet featuring East Coast based flutist and vocalist Rebecca Kleinmann in collaboration world class Venezuelan musicians cuatro player/percussionist Jackeline Rago and guitarist Carlos Caminos\, wonderful Bay Area/ Mexican born percussionist Marlon Aldana\, and outstanding Bay Area bassist Bil Hager. Gracefully flowing between Venezuelan music\, Brazilian folkloric rhythms and flamenco inspired originals\, this dynamic quintet brings a special spin and vibrant life to every composition they arrange. \nFeaturing: \nRebecca Kleinmann\, flutes and vocals\nCarlos Caminos\, guitar\nJackeline Rago\, cuatro and percussion\nBil Hager\, bass\nMarlon Aldana\, percussion \nFriday\, May 22nd\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nABOUT THE ARTISTS: \nFlutist and vocalist Rebecca Kleinmann returns to California from North Carolina where she leads several bands\, directs UNC Chapel Hill’s Charanga Carolina and teaches in the UNCG Jazz department while pursuing her masters in classical flute. A Grammy awarded artist for her contribution to Taylor Eigsti’s “Plot Armor” (2023)\, she is an acclaimed for her performances worldwide. Pianist Benny Green made note of her unique artistry saying “Rebecca is masterful and selfless in her ability and inclination of melding her sound with her environment.” This Quintet iteration celebrates music from Venezuela to Brazil with some of Rebecca’s most treasured collaborators. \nArtist Links \nWebsite: www.rebeccakleinmann.com; www.jackelinerago.com; www.caminosmusic.com; www.marlonaldana.com\nInstagram: @rebeccakleinmannmusic\nFacebook: @rebeccakleinmannmusic \nPreview the Performance \n \n  \nEVENT DETAILS\nFriday\, May 22nd\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/rebecca-kleinmann-quintet/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,May,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/04/RebeccaKleinmann0522-Rebecca-Kleinmann.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T193000
DTEND;TZID=America/Los_Angeles:20260605T210000
DTSTAMP:20260602T160703Z
CREATED:20260503T061301Z
LAST-MODIFIED:20260602T160703Z
UID:18073-1780687800-1780693200@redpoppyarthouse.org
SUMMARY:Cuerdas Tropicales
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n \nCuerdas Tropicales\nPuertoRican Trova and Latin-american classics meet Brazilian choro\, samba and Brazilian standards \nFeaturing: \nRicardo Peixoto\, brazilian guitar\nBrian Rice\, pandeiro and drumset\nMadeleine Zayas\, voice and hand percussion \nSpecial Guest: \nDaniel Zamalloa\, Peruvian mandolin and flute player \nFriday\, June 5th\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nABOUT THE ARTISTS: \nGuitarist\, composer and arranger Ricardo Peixoto is among the top representatives of Brazilian guitar in the US\, with a fluid melodic style and a keen compositional sense. His music is grounded both in jazz and Brazil’s diverse traditions; but always ventures well beyond their borders. He has recorded\, performed\, and collaborated with\, among others\, Claudia Villela\, Flora Purim and Airto\, saxophonist Bud Shank\, Dom Um Romão\, Claudio Roditi\, Paul McCandless Fabiana Cozza\, Spok\, Sivuca\, Arturo Sandoval\, Toots Thielemans\, Dori Caymmi and Guinga. His recordings include the CDs Scary Beautiful\, and Inverse Universe (with Claudia Villela). He has performed throughout the US\, Europe\, Canada\, Japan and Brazil. Additionally Ricardo has taught Brazilian Guitar and Choro music at the California Jazz Conservatory for over 10 years. ricardopeixoto.com \nBorn and raised in Puerto Rico\, Madeleine Zayas is a Latin American singer/interpreter\, choreographer and architect based in Oakland. At age 15 she tasted professional singing with internationally acclaimed singer/songwriter Wilkins in her native Puerto Rico. She has performed in theaters and television in Puerto Rico\, California and Nevada since 1985. She was co-founder of Buena Trova Social Club with Brandon Vance in 2012 and soon after as the lead singer and co-artistic director of Madelina y Los Carpinteros and Duo Made y Feña since 2014. She is the co-founder with Marcos Silva and lead singer of Sudamericanto\, a bay area musical ensemble performing original compositions and innovative arrangements of carefully selected classics from the Brazilian Jazz\, Latin American/Caribbean songbook. Madeleine has shared stage with Cheo Feliciano\, Inti Illimani\, John Santos\, Tohnino Horta and Holly Near. Her love of folk music is rooted in the jibaro traditions of the Puertorican countryside\, where her paternal family is from\, and her eclectic repertoire is inspired by the Nueva Canción/Nueva Trova tradition of entertaining and educating about latin-american culture and pressing social issues. https://www.facebook.com/madeleine.zayasmart.3 \nOakland based percussionist\, Brian Rice specializes in both Brazilian and Afro Cuban percussion but can be heard playing a wide variety of music from Mexican son jarocho to the Grateful Dead songbook blended with Celtic music. Brian is a founding member of the Berkeley Choro Ensemble and is frequently called upon for his expertise on the pandeiro (Brazilian tambourine). In 2023 Brian premiered Danzas #4 for pandeiro and orchestra with the Diablo Symphony by Felipe Senna. \nIn addition to appearing in over a hundred recordings\, Brian has worked with Mike Marshall\, Jovino Santos Neto\, Spok\, Claudia Villela\, Trio Brasileiro\, Alessandro Penezzi\, Jorge Alabe\, Almir Côrtes\, and Rogerio Souza among others. Brian performed at the Lincoln Center\, Kennedy Center\, the Savannah Music Festival and NPR’s Tiny Desk Concert with the Danilo Brito Quintet. In July 2019 Brian celebrated the release of his first self-produced choro CD\, Três Baías with Almir Côrtes and Nando Duarte. Brian is the co-founder and artistic director of the Berkeley Festival of Choro and teaches Samba School\, and the Afro-Cuban Ensembles at UC Davis. brian-rice.com \nDaniel Zamalloa is a guitarist\, mandolinist\, fiddler\, and composer whose work is rooted in the musical traditions of Perú. His landmark recording “Folk Violin From Perú” features village music from 16 different regions.\n \nWith trio Chaskinakuy\, he has performed and recorded music from Perú\, Bolivia\, Ecuador\, and Argentina. He also recorded with Lichi Fuentes\, Inkuyo\, Patricio Morales quintet\, and EstudiANDINA quartet. He has been musical director of De Rompe y Raja and has worked with Afro-Peruvian percussionists Mangué Vásquez\, Lalo Izquierdo and Miguel Ballumbrosio\, among others; singers Marina Lavalle\, Rosa Los Santos\, Mochi Parra\, and Rafael Manríquez.\n \nHe has collaborated with San Francisco Chamber Orchestra\, Del Sol Quartet\, Kairos Youth Choir\, New York’s Pachamama Peruvian Arts\, Seattle’s De Cajón Project\, World Repertory Ensemble\, Coro Hispano\, and various dance troupes.\nArtist Links \nWebsites: www.brian-rice.com; www.ricardopeixoto.com \nFacebook: www.facebook.com/madeleine.zayasmart.3; www.facebook.com/myloscarpinteros \n  \nEVENT DETAILS\nFriday\, June 5th\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/cuerdas-tropicales/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,June,Performing Arts
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/05/RPAH-Landscape-Skies-Photo-Collage-YouTube-Banner-3.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260606T190000
DTEND;TZID=America/Los_Angeles:20260606T220000
DTSTAMP:20260604T182747Z
CREATED:20260604T171119Z
LAST-MODIFIED:20260604T182747Z
UID:18138-1780772400-1780783200@redpoppyarthouse.org
SUMMARY:June 6th MAPP
DESCRIPTION:June 6th MAPP\n \n  \n  \nTHIS IS A FREE EVENT \nSaturday\, June 6\, 2026 | 7:00 p.m. to 10:00 p.m.\nRed Poppy Art House\nMAPP (Mission Art Performance Project)\n2698 Folsom @23rd\nCurator: Dina Zarif \n7:15 PM – 7:45 PM\nSoundscapes (A Soulful Melodic Journey)\nEliot Valz – Solo guitar \n8:00 PM – 8:45 PM\nEsotérica Tropical (Puerto Rican Medicinal Songs)\nMaría José Montijo – Harp & vocals \n9:00 PM – 9:45 PM\nMelodies of the Hindustani Tradition (Expressive Ragas)\nKamal Ahmad – Sitar\nNilan Chaudhuri – Tabla \nExhibition:\nBĀZ-TĀB (Reflection) by Sima Shahverdi\, a large-scale installation featuring charcoal drawings and paper sculpture\, presented as part of A Season for Iran. \nMAPP (Mission Arts & Performance Project)\nLaunched in 2003\, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly\, multidisciplinary\, intercultural event that takes place in the Mission District of San Francisco. On the first Saturday of every even month of the year\, the MAPP transforms ordinary spaces\, such as private garages\, gardens\, living rooms\, studios\, street corners\, and small businesses into pop-up performance and exhibition sites for a day/night of intimate-scale artistic and cultural exchange among a kaleidoscope of individuals and communities.  \nRED POPPY MAPP TEAM: \nArtistic Director | Managing Director: Dina Zarif \nContent manager: Jennie Legary\nSound crew: Andrew Scott\nHost: Verda Bursal  \nABOUT THE PERFORMING ARTISTS\n\nThe Genie  Soundscapes  \nA Soulful Melodic Journey \nFeaturing: \nEliot Valz – Solo guitar   \nEliot Valz is a rising 11th -grade musician and performer at the Ruth Asawa School of the Arts in San Francisco. He performs with Marcus Shelby’s Teen Jazz Band at CMC\, Old Skool Cafe\, and his rock band\, Thorn. Thorn just released their new EP on Spotify\, and they will be heading to the Treefort Music Festival in Boise\, Idaho  in March. Eliot’s musical development has been shaped through mentorship with artists including Marcus Shelby\, Kyle Blaze\, and Javi Madrigal. Eliot is eager to continue growing as a musician through collaboration with diverse artists in professional and creative music spaces.  \n\n\nEsotérica Tropical \nMedicinal Songs from Puerto Rico \nFeaturing:\nMaría José Montijo – Harp & vocals \nEsotérica Tropical transcends musical boundaries with her commanding voice\, harp\, and fusion of Bomba rhythms with electronic production. Her self-titled debut album was named Best Bay Area Music of 2024 by KQED\, KALW\, and White Crate. Her work boldly challenges colonial mentality\, advocating for sovereignty and surrealism. A chance encounter with a Celtic harp on a Puerto Rican beach in 2009 transformed her from an acupuncturist into a genre-defying musical magician. Drawing on 20 years as a traditional medicine practitioner\, Esotérica’s ritualistic performances have captivated audiences at major venues and festivals worldwide including Brava Theater\, The Chapel\, MACLA\, Oakland Museum of California\, SOMArts\, Teatro Municipal de Cusco\, Festival Color Caribe\, Teatro el Supremo\, and el Fiestón Cultural del Instituto de Cultura de PR. \n\n\n\n \n\n\nMelodies of the Hindustani Tradition  \nExpressive raags through improvisation & tradition \nFeaturing: \nKamal Ahmad – Sitar\nNilan Chaudhuri – Tabla \nKamal Ahmad’s path to music wasn’t conventional\, and that’s exactly what makes him a better teacher. His journey began with tabla before his elder sister introduced him to the sitar\, sparking a devotion that would reshape his life. He sought formal training under sarod maestro Arnab Chakrabarty\, who introduced him to sitar virtuoso Vinayak Chittar and scholar-vocalist Pandit Arijit Mahalanabis\, a lineage of mentorship rooted in the deepest traditions of Indian classical music. Trained as a neuroscientist\, Kamal started his serious musical study later than most. Rather than a setback\, this became his advantage. His scientific mind drove him to find the most efficient\, intentional methods of practice\, the same methods he now teaches his students. He didn’t just learn raga music. He studied how people learn\, and built his teaching around it. \nNilan Chaudhuri is a Bay Area based percussionist\, educator\, and performer. Initiated into the tradition of Indian Classical Music at the age of five by his father\, Pandit Swapan Chaudhuri\, Nilan has been performing as a tabla soloist and accompanist for nearly two decades. Prior to beginning his formal training with his father in 2000\, Nilan studied tabla with Brad Van Cleve\, Tim Witter\, and Uttam Chakraborty\, all of whom are senior disciples of his father.  \nDrawing inspiration from his father’s innovative approach to classical tabla solo\,  Nilan was determined from a young age to be a soloist. He presented his first public tabla recital at the age of eleven\, at the Ali Akbar College of Music in San Rafael\, in the presence of Maestro Ali Akbar Khansahib. It was during these formative years that Nilan was introduced to the world of Tabla accompaniment by Maestro Ali Akbar Khan\, providing rhythmic support for his vocal and instrumental classes at the college.   \n\n\nVisual Art Exhibition: BĀZ-TĀB (Reflection)\n \nBĀZ-TĀB (Reflection) by Sima Shahverdi\, a large-scale installation featuring charcoal drawings and paper sculpture\, presented as part of A Season for Iran. \nBĀZ-TĀB (meaning reflection) is a body of work rooted in the architectural memory of Iran. Each piece begins as a large-scale hand drawing of a specific Iranian site—a courtyard\, a dome\, an arched passage—built gradually in charcoal\, documented frame by frame\, and brought to life through animation. Three-dimensional paper sculptures emerge from the drawings\, collapsing the boundary between image and object. Together\, these elements seek to recreate something closer to how we actually remember a place: not as a photograph\, but as a dream—fragmentary\, layered\, and alive. \nAt Red Poppy Art House\, the two parallel walls become the interior faces of an Iranian house—one the tabestān-neshin (summer room)\, the other the zemestān-neshin (winter room). The audience sits at the center\, where the courtyard would be. \nWe are Iranians scattered across cities\, each carrying memories of a place we can no longer easily return to. My own memories are of the architectural spaces I walked through as a student—the hum of voices beneath a dome\, a voice carrying across a courtyard\, the cool wind descending through a badgir. I invite the audience to gather at the howz\, sit by the water\, and look up at the sky. \nThis is not documentation. It is not nostalgia. It is the act of remembering as a collective\, embodied\, present-tense experience. We become part of the house. The house becomes part of us. \nMAPP GENERAL PROGRAM\nJoin us in MAPP at all other spaces throughout the Mission District. \n\n\nIN PERSON EVENT DETAILS\nTime: June 6th\, 2026\, 7pm- 10pm (IN-PERSON) \nAdmission: Free! \n\n \n  \nDONATE
URL:https://redpoppyarthouse.org/event/june-6th-mapp/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:June,MAPP,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/06/MAPP-June-2026-Web-poster-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T130000
DTEND;TZID=America/Los_Angeles:20260614T160000
DTSTAMP:20260519T175206Z
CREATED:20260519T061556Z
LAST-MODIFIED:20260519T175206Z
UID:18104-1781442000-1781452800@redpoppyarthouse.org
SUMMARY:ShadowLight Productions
DESCRIPTION:RSVP to the Facebook event:\n \n \nShadowLight Productions\nEarth Paper Cut: Shadow Performance & Puppet Workshop \nCreated and performed by ShadowLight’s Jess Nguyen\, Earth Paper Cut is a youth-scripted\, surreal story translated into a shadow show: Earth Paper Cut follows two children navigating the moral quandaries around staying or leaving their planet behind at the end of the world as we know it. \nThis performance will be followed by a guided exploration of transforming a story into a shadow play and a puppet building workshop. \nThis event is part of Red Poppy’s Family Art Program (Arte entre Familia). \nFeaturing: \nJess Nguyen\, Puppeteer and Teaching Artist \nSunday\, June 14th\, 2026\nTime: 1:00 pm – 4: 00 pm \nAdmission: FREE \nABOUT THE ARTISTS: \nJessica Nguyễn specializes in movement and visual arts disciplines ranging from dance\, puppetry\, and circus to science illustration and sculpture. As a core member\, performer\, and frequent collaborator with Shadowlight Productions Jess specializes as a shadow puppeteer and designer\, but is also versed in other forms of puppetry. She has performed and collaborated with Facing West Shadows\, OddSavvy\, Driveway Follies\, SF Youth Theatre\, and the SF Opera. Jess is always up to shenanigans with the youth\, and is a multi-disciplinary educator across the Bay. You can often catch her\, unsurprisingly\, mulling over fun facts to share with you. \nArtist Links \nJess Nguyen\nFB: https://www.facebook.com/phantomcardium/\nIG: @phantomcardium\nWebsite: www.ghosthearted.com \nShadowLight\nInstagram: @shadowlightproductions\nFacebook: www.facebook.com/ShadowLightProductions/\nWebsite: shadowlight.org \nEVENT DETAILS\nSunday\, June 14th\, 2026\nTime: 1:00 pm – 4: 00 pm \nAdmission: FREE \nNote: RSVP guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/shadowlight-productions-2026/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,June,Performing Arts,Volunteer Gatherings,Workshops, Discussions, and Films
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/05/ShadowLight.06.14_1920x1080-Jacquelyn-Serrano-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260619T193000
DTEND;TZID=America/Los_Angeles:20260619T210000
DTSTAMP:20260617T171748Z
CREATED:20260609T051328Z
LAST-MODIFIED:20260617T171748Z
UID:18155-1781897400-1781902800@redpoppyarthouse.org
SUMMARY:ICU (I See You) : A One-Woman Play
DESCRIPTION: ICU (I See You) \nA one-woman staged reading inspired by Iran’s “Women\, Life\, Freedom” movement  \nPresented by \nRed Poppy Art House and Golden Thread Productions present a special theatrical reading of ICU (I See You) by Leyla Modirzadeh and Domenique Lozano\, a one-woman play performed by Bridgette Loriaux. \nDates \nFriday\, June 19\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSaturday\, June 20\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSunday\, June 21\n Doors: 1:30 PM | Performance: 2:00–3:30 PM \nVenue\n Red Poppy Art House\n 2698 Folsom Street\n San Francisco\, CA 94110 \nPlease Note \n\nSeating is limited.\nDoors open 30 minutes before the performance.\nLate seating may not be accommodated.\nPlease allow extra time for parking.\n\nAdvance tickets are available online. You are required to purchase advance tickets for this event.  \n*Due to the theatrical nature of this performance\, the show begins promptly and late seating may not be permitted.\nRSVP on Facebook & buy tickets: \n\n\nGET TICKETS\n  \n  \nABOUT THE PLAY\nRed Poppy Art House and Golden Thread Productions proudly presents ICU (I See You)\, a one-woman theatrical reading written by Leyla Modirzadeh and Domenique Lozano\, and performed by Bridgette Loriaux. \nInspired by Iran’s 2022–2023 “Women\, Life\, Freedom” movement\, ICU illuminates the events and human experiences of the uprising through the intersecting lives of five Iranian women. \nThe movement began after the death of Mahsa Amini while in the custody of Iran’s morality police\, sparking nationwide protests led by women and girls demanding dignity\, freedom\, and basic human rights. What followed was one of the most significant protest movements in modern Iranian history and a brutal crackdown by the regime. \nICU is a full-length play currently in development as part of Golden Thread’s New Threads Staged Reading Series. New Threads is Golden Thread’s annual staged reading series that engages its audience in the process of playmaking and allows writers of Middle Eastern and non-Middle Eastern descent an authentic and supportive space to develop work about the Middle East.  \nBecause the events that inspired the work continue to resonate so deeply\, the artists wanted to share the story with audiences now rather than wait for the play’s final production. Portions of the performance will be presented with scripts in hand as part of the play’s ongoing development process. \nThe title ICU operates on several levels. It references the intensive care units where injured protesters sought treatment. It declares “I see you”—the fundamental demand to be witnessed\, recognized\, and remembered. It also evokes the eye itself and the power of sight\, which became a powerful symbol throughout the movement. \nThe play begins on a hopeful morning in the midst of the Women\, Life\, Freedom protests. From there\, it follows the aftermath of a single day and night\, tracing the lives of women whose futures are forever altered by the choices they make and the events they endure. \nThrough humor\, resilience\, grief\, friendship\, and extraordinary courage\, ICU explores what it costs to demand your humanity—and what it takes to keep fighting for it. With some laughs.  \nWritten by: Leyla Modirzadeh & Domenique Lozano\nPerformed by: Bridgette Loriaux \nPresented by Red Poppy Art House and Golden Thread Productions. \nAbout Golden Thread Productions\nGolden Thread Productions is a San Francisco-based theatre company dedicated to exploring Middle Eastern cultures\, diverse perspectives\, and global immigrant experiences. Founded in 1996\, it is the first American theatre company devoted to the Middle East and its diaspora. Through new play development\, education programs\, and its signature ReOrient Festival\, Golden Thread champions underrepresented voices and creates powerful opportunities for cultural exchange\, dialogue\, and artistic innovation. \nARTISTS\nBridgette Loriaux is an award-winning actor\, writer\, director\, choreographer\, and movement artist known for her highly physical and visually inventive approach to storytelling. Her work includes the off-Broadway dance-theatre piece 2½ Breaths\, award-winning productions for Marin Shakespeare Company\, and movement direction for The Curious Incident of the Dog in the Night-Time at San Francisco Playhouse. Internationally\, she has toured throughout Europe\, South America\, and Egypt\, performed at the Beijing Olympic Games\, and continues to develop innovative work as both a theatre artist and movement educator.\n \n  \nDomenique Lozano is a director\, actress\, vocal coach\, and educator based on the West Coast. She has served as a Resident Artist with American Conservatory Theater and an Associate Artist with California Shakespeare Theater. Her directing credits include productions with Marin Shakespeare Company\, ACT\, UC Berkeley\, TheatreFirst\, and Southern Oregon University. As an actor\, she has performed with Cal Shakes\, ACT\, Berkeley Rep\, Oregon Shakespeare Festival\, and numerous regional theatres across the country. \n  \n  \nLeyla Modirzadeh (co-writer) is an Iranian-American artist\, actress\, and director. She has performed in theaters across the country including Cincinnati Playhouse\, A Contemporary Theatre\, The Group Theatre\, Wisdom Bridge Theatre in Chicago\, Speakeasy Stage in Boston\, The Kennedy Center in DC\, La Mama ETC and New York Theatre Workshop in New York. She was seen most recently at Indiana Repertory Theatre as Roya in English. In addition to her professional stage work\, Leyla is known for her collaborations with renowned theatre artist Ping Chong. She has a BA in Humanities from UC Berkeley\, MFA in acting from University of Washington. \n  \n  \n  \n  \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]
URL:https://redpoppyarthouse.org/event/icu-i-see-you-june-19/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Salons,Events,June,Performing Arts
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/06/Poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260620T193000
DTEND;TZID=America/Los_Angeles:20260620T210000
DTSTAMP:20260617T171932Z
CREATED:20260609T152542Z
LAST-MODIFIED:20260617T171932Z
UID:18170-1781983800-1781989200@redpoppyarthouse.org
SUMMARY:ICU (I See You) : A One-Woman Play
DESCRIPTION: ICU (I See You) \nA one-woman staged reading inspired by Iran’s “Women\, Life\, Freedom” movement  \nPresented by \nRed Poppy Art House and Golden Thread Productions present a special theatrical reading of ICU (I See You) by Leyla Modirzadeh and Domenique Lozano\, a one-woman play performed by Bridgette Loriaux. \nPresented by heading aside — paste continues below.\nDates \nFriday\, June 19\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSaturday\, June 20\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSunday\, June 21\n Doors: 1:30 PM | Performance: 2:00–3:30 PM \nVenue\n Red Poppy Art House\n 2698 Folsom Street\n San Francisco\, CA 94110 \nPlease Note \n\nSeating is limited.\nDoors open 30 minutes before the performance.\nLate seating may not be accommodated.\nPlease allow extra time for parking.\n\nAdvance tickets are available online. You are required to purchase advance tickets for this event.  \n*Due to the theatrical nature of this performance\, the show begins promptly and late seating may not be permitted.\nRSVP on Facebook & buy tickets: \n\n\nGET TICKETS\n  \n  \nABOUT THE PLAY\nRed Poppy Art House and Golden Thread Productions proudly presents ICU (I See You)\, a one-woman theatrical reading written by Leyla Modirzadeh and Domenique Lozano\, and performed by Bridgette Loriaux. \nInspired by Iran’s 2022–2023 “Women\, Life\, Freedom” movement\, ICU illuminates the events and human experiences of the uprising through the intersecting lives of five Iranian women. \nThe movement began after the death of Mahsa Amini while in the custody of Iran’s morality police\, sparking nationwide protests led by women and girls demanding dignity\, freedom\, and basic human rights. What followed was one of the most significant protest movements in modern Iranian history and a brutal crackdown by the regime. \nICU is a full-length play currently in development as part of Golden Thread’s New Threads Staged Reading Series. New Threads is Golden Thread’s annual staged reading series that engages its audience in the process of playmaking and allows writers of Middle Eastern and non-Middle Eastern descent an authentic and supportive space to develop work about the Middle East.  \nBecause the events that inspired the work continue to resonate so deeply\, the artists wanted to share the story with audiences now rather than wait for the play’s final production. Portions of the performance will be presented with scripts in hand as part of the play’s ongoing development process. \nThe title ICU operates on several levels. It references the intensive care units where injured protesters sought treatment. It declares “I see you”—the fundamental demand to be witnessed\, recognized\, and remembered. It also evokes the eye itself and the power of sight\, which became a powerful symbol throughout the movement. \nThe play begins on a hopeful morning in the midst of the Women\, Life\, Freedom protests. From there\, it follows the aftermath of a single day and night\, tracing the lives of women whose futures are forever altered by the choices they make and the events they endure. \nThrough humor\, resilience\, grief\, friendship\, and extraordinary courage\, ICU explores what it costs to demand your humanity—and what it takes to keep fighting for it. With some laughs.  \nWritten by: Leyla Modirzadeh & Domenique Lozano\nPerformed by: Bridgette Loriaux \nPresented by Red Poppy Art House and Golden Thread Productions. \nAbout Golden Thread Productions\nGolden Thread Productions is a San Francisco-based theatre company dedicated to exploring Middle Eastern cultures\, diverse perspectives\, and global immigrant experiences. Founded in 1996\, it is the first American theatre company devoted to the Middle East and its diaspora. Through new play development\, education programs\, and its signature ReOrient Festival\, Golden Thread champions underrepresented voices and creates powerful opportunities for cultural exchange\, dialogue\, and artistic innovation. \nARTISTS\nBridgette Loriaux is an award-winning actor\, writer\, director\, choreographer\, and movement artist known for her highly physical and visually inventive approach to storytelling. Her work includes the off-Broadway dance-theatre piece 2½ Breaths\, award-winning productions for Marin Shakespeare Company\, and movement direction for The Curious Incident of the Dog in the Night-Time at San Francisco Playhouse. Internationally\, she has toured throughout Europe\, South America\, and Egypt\, performed at the Beijing Olympic Games\, and continues to develop innovative work as both a theatre artist and movement educator.\n \n  \nDomenique Lozano is a director\, actress\, vocal coach\, and educator based on the West Coast. She has served as a Resident Artist with American Conservatory Theater and an Associate Artist with California Shakespeare Theater. Her directing credits include productions with Marin Shakespeare Company\, ACT\, UC Berkeley\, TheatreFirst\, and Southern Oregon University. As an actor\, she has performed with Cal Shakes\, ACT\, Berkeley Rep\, Oregon Shakespeare Festival\, and numerous regional theatres across the country. \n  \n  \nLeyla Modirzadeh (co-writer) is an Iranian-American artist\, actress\, and director. She has performed in theaters across the country including Cincinnati Playhouse\, A Contemporary Theatre\, The Group Theatre\, Wisdom Bridge Theatre in Chicago\, Speakeasy Stage in Boston\, The Kennedy Center in DC\, La Mama ETC and New York Theatre Workshop in New York. She was seen most recently at Indiana Repertory Theatre as Roya in English. In addition to her professional stage work\, Leyla is known for her collaborations with renowned theatre artist Ping Chong. She has a BA in Humanities from UC Berkeley\, MFA in acting from University of Washington. \n  \n  \n  \n  \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]
URL:https://redpoppyarthouse.org/event/icu-i-see-you-june-20/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Salons,Exhibitions and Receptions,June,Performing Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260621T140000
DTEND;TZID=America/Los_Angeles:20260621T153000
DTSTAMP:20260617T204333Z
CREATED:20260609T155130Z
LAST-MODIFIED:20260617T204333Z
UID:18184-1782050400-1782055800@redpoppyarthouse.org
SUMMARY:ICU (I See You) : A One-Woman Play
DESCRIPTION: ICU (I See You) \nA one-woman staged reading inspired by Iran’s “Women\, Life\, Freedom” movement  \nPresented by \nRed Poppy Art House and Golden Thread Productions present a special theatrical reading of ICU (I See You) by Leyla Modirzadeh and Domenique Lozano\, a one-woman play performed by Bridgette Loriaux. \nDates \nFriday\, June 19\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSaturday\, June 20\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSunday\, June 21\n Doors: 1:30 PM | Performance: 2:00–3:30 PM \nVenue\n Red Poppy Art House\n 2698 Folsom Street\n San Francisco\, CA 94110 \nPlease Note \n\nSeating is limited.\nDoors open 30 minutes before the performance.\nLate seating may not be accommodated.\nPlease allow extra time for parking.\n\nAdvance tickets are available online. You are required to purchase advance tickets for this event.  \n*Due to the theatrical nature of this performance\, the show begins promptly and late seating may not be permitted.\nRSVP on Facebook & buy tickets: \n\nGET TICKETS\n  \n  \nABOUT THE PLAY\nRed Poppy Art House and Golden Thread Productions proudly presents ICU (I See You)\, a one-woman theatrical reading written by Leyla Modirzadeh and Domenique Lozano\, and performed by Bridgette Loriaux. \nInspired by Iran’s 2022–2023 “Women\, Life\, Freedom” movement\, ICU illuminates the events and human experiences of the uprising through the intersecting lives of five Iranian women. \nThe movement began after the death of Mahsa Amini while in the custody of Iran’s morality police\, sparking nationwide protests led by women and girls demanding dignity\, freedom\, and basic human rights. What followed was one of the most significant protest movements in modern Iranian history and a brutal crackdown by the regime. \nICU is a full-length play currently in development as part of Golden Thread’s New Threads Staged Reading Series. New Threads is Golden Thread’s annual staged reading series that engages its audience in the process of playmaking and allows writers of Middle Eastern and non-Middle Eastern descent an authentic and supportive space to develop work about the Middle East.  \nBecause the events that inspired the work continue to resonate so deeply\, the artists wanted to share the story with audiences now rather than wait for the play’s final production. Portions of the performance will be presented with scripts in hand as part of the play’s ongoing development process. \nThe title ICU operates on several levels. It references the intensive care units where injured protesters sought treatment. It declares “I see you”—the fundamental demand to be witnessed\, recognized\, and remembered. It also evokes the eye itself and the power of sight\, which became a powerful symbol throughout the movement. \nThe play begins on a hopeful morning in the midst of the Women\, Life\, Freedom protests. From there\, it follows the aftermath of a single day and night\, tracing the lives of women whose futures are forever altered by the choices they make and the events they endure. \nThrough humor\, resilience\, grief\, friendship\, and extraordinary courage\, ICU explores what it costs to demand your humanity—and what it takes to keep fighting for it. With some laughs.  \nWritten by: Leyla Modirzadeh & Domenique Lozano\nPerformed by: Bridgette Loriaux \nPresented by Red Poppy Art House and Golden Thread Productions. \nAbout Golden Thread Productions\nGolden Thread Productions is a San Francisco-based theatre company dedicated to exploring Middle Eastern cultures\, diverse perspectives\, and global immigrant experiences. Founded in 1996\, it is the first American theatre company devoted to the Middle East and its diaspora. Through new play development\, education programs\, and its signature ReOrient Festival\, Golden Thread champions underrepresented voices and creates powerful opportunities for cultural exchange\, dialogue\, and artistic innovation. \nARTISTS\nBridgette Loriaux is an award-winning actor\, writer\, director\, choreographer\, and movement artist known for her highly physical and visually inventive approach to storytelling. Her work includes the off-Broadway dance-theatre piece 2½ Breaths\, award-winning productions for Marin Shakespeare Company\, and movement direction for The Curious Incident of the Dog in the Night-Time at San Francisco Playhouse. Internationally\, she has toured throughout Europe\, South America\, and Egypt\, performed at the Beijing Olympic Games\, and continues to develop innovative work as both a theatre artist and movement educator.\n \n  \nDomenique Lozano is a director\, actress\, vocal coach\, and educator based on the West Coast. She has served as a Resident Artist with American Conservatory Theater and an Associate Artist with California Shakespeare Theater. Her directing credits include productions with Marin Shakespeare Company\, ACT\, UC Berkeley\, TheatreFirst\, and Southern Oregon University. As an actor\, she has performed with Cal Shakes\, ACT\, Berkeley Rep\, Oregon Shakespeare Festival\, and numerous regional theatres across the country. \n  \n  \nLeyla Modirzadeh (co-writer) is an Iranian-American artist\, actress\, and director. She has performed in theaters across the country including Cincinnati Playhouse\, A Contemporary Theatre\, The Group Theatre\, Wisdom Bridge Theatre in Chicago\, Speakeasy Stage in Boston\, The Kennedy Center in DC\, La Mama ETC and New York Theatre Workshop in New York. She was seen most recently at Indiana Repertory Theatre as Roya in English. In addition to her professional stage work\, Leyla is known for her collaborations with renowned theatre artist Ping Chong. She has a BA in Humanities from UC Berkeley\, MFA in acting from University of Washington. \n  \n  \n  \n  \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n\n\nICU (I See You) : A One-Woman Play
URL:https://redpoppyarthouse.org/event/icu-i-see-you-june-21/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Receptions,Artist Salons,Events,Exhibitions and Receptions,June,Performing Arts
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DTSTART;TZID=America/Los_Angeles:20260627T130000
DTEND;TZID=America/Los_Angeles:20260627T160000
DTSTAMP:20260626T025601Z
CREATED:20260626T024815Z
LAST-MODIFIED:20260626T025601Z
UID:18261-1782565200-1782576000@redpoppyarthouse.org
SUMMARY:Reuse\, Repurpose\, Reimagine: Interactive Mending Workshop
DESCRIPTION:Join us to learn about mending clothes\, bags\, and fabric items\, and even work on your project with guidance and materials from Verda Bursal. You can bring your own item(s) in need of mending and/or work with scrap pieces from Verda’s stash. \nThread and tools will be provided\, including a sewing machine if you’re feeling brave! \nThe workshop will be entirely donation-based. No tickets\, no need to RSVP\, pay what you can for your alteration and/or lesson. \n \nVerda Bursal is the creator of Waste to Hip\, a project dedicated to mending and upcycling fabric goods as well as teaching others how to do the same. She is proud to carry on the millennia-old tradition of turning plant and animal fibers into useful three-dimensional objects\, and firmly believes that most fabric items have more life they can live. \nRead more about her project: https://www.wastetohip.com/ \n  \n	\n\n		Waste to Hip by Verda Bursal\n\n		\n				\n						\n		\n\n		\n		\n\n			\n				\n					\n				\n			\n\n			\n				\n					\n				\n			\n\n			\n				Image				1				of				3
URL:https://redpoppyarthouse.org/event/reuse-repurpose-reimagine-interactive-mending-workshop/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Family Art Activities,Volunteer Gatherings,Workshops, Discussions, and Films
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/06/VerdaBursal.0626-2-scaled.jpeg
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END:VCALENDAR