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DTSTART;TZID=America/Los_Angeles:20260605T193000
DTEND;TZID=America/Los_Angeles:20260605T210000
DTSTAMP:20260602T160703Z
CREATED:20260503T061301Z
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UID:18073-1780687800-1780693200@redpoppyarthouse.org
SUMMARY:Cuerdas Tropicales
DESCRIPTION:Advance tickets are available online. You are advised to purchase advance tickets for this event.  \nRSVP to the Facebook event:\n \n \nCuerdas Tropicales\nPuertoRican Trova and Latin-american classics meet Brazilian choro\, samba and Brazilian standards \nFeaturing: \nRicardo Peixoto\, brazilian guitar\nBrian Rice\, pandeiro and drumset\nMadeleine Zayas\, voice and hand percussion \nSpecial Guest: \nDaniel Zamalloa\, Peruvian mandolin and flute player \nFriday\, June 5th\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nABOUT THE ARTISTS: \nGuitarist\, composer and arranger Ricardo Peixoto is among the top representatives of Brazilian guitar in the US\, with a fluid melodic style and a keen compositional sense. His music is grounded both in jazz and Brazil’s diverse traditions; but always ventures well beyond their borders. He has recorded\, performed\, and collaborated with\, among others\, Claudia Villela\, Flora Purim and Airto\, saxophonist Bud Shank\, Dom Um Romão\, Claudio Roditi\, Paul McCandless Fabiana Cozza\, Spok\, Sivuca\, Arturo Sandoval\, Toots Thielemans\, Dori Caymmi and Guinga. His recordings include the CDs Scary Beautiful\, and Inverse Universe (with Claudia Villela). He has performed throughout the US\, Europe\, Canada\, Japan and Brazil. Additionally Ricardo has taught Brazilian Guitar and Choro music at the California Jazz Conservatory for over 10 years. ricardopeixoto.com \nBorn and raised in Puerto Rico\, Madeleine Zayas is a Latin American singer/interpreter\, choreographer and architect based in Oakland. At age 15 she tasted professional singing with internationally acclaimed singer/songwriter Wilkins in her native Puerto Rico. She has performed in theaters and television in Puerto Rico\, California and Nevada since 1985. She was co-founder of Buena Trova Social Club with Brandon Vance in 2012 and soon after as the lead singer and co-artistic director of Madelina y Los Carpinteros and Duo Made y Feña since 2014. She is the co-founder with Marcos Silva and lead singer of Sudamericanto\, a bay area musical ensemble performing original compositions and innovative arrangements of carefully selected classics from the Brazilian Jazz\, Latin American/Caribbean songbook. Madeleine has shared stage with Cheo Feliciano\, Inti Illimani\, John Santos\, Tohnino Horta and Holly Near. Her love of folk music is rooted in the jibaro traditions of the Puertorican countryside\, where her paternal family is from\, and her eclectic repertoire is inspired by the Nueva Canción/Nueva Trova tradition of entertaining and educating about latin-american culture and pressing social issues. https://www.facebook.com/madeleine.zayasmart.3 \nOakland based percussionist\, Brian Rice specializes in both Brazilian and Afro Cuban percussion but can be heard playing a wide variety of music from Mexican son jarocho to the Grateful Dead songbook blended with Celtic music. Brian is a founding member of the Berkeley Choro Ensemble and is frequently called upon for his expertise on the pandeiro (Brazilian tambourine). In 2023 Brian premiered Danzas #4 for pandeiro and orchestra with the Diablo Symphony by Felipe Senna. \nIn addition to appearing in over a hundred recordings\, Brian has worked with Mike Marshall\, Jovino Santos Neto\, Spok\, Claudia Villela\, Trio Brasileiro\, Alessandro Penezzi\, Jorge Alabe\, Almir Côrtes\, and Rogerio Souza among others. Brian performed at the Lincoln Center\, Kennedy Center\, the Savannah Music Festival and NPR’s Tiny Desk Concert with the Danilo Brito Quintet. In July 2019 Brian celebrated the release of his first self-produced choro CD\, Três Baías with Almir Côrtes and Nando Duarte. Brian is the co-founder and artistic director of the Berkeley Festival of Choro and teaches Samba School\, and the Afro-Cuban Ensembles at UC Davis. brian-rice.com \nDaniel Zamalloa is a guitarist\, mandolinist\, fiddler\, and composer whose work is rooted in the musical traditions of Perú. His landmark recording “Folk Violin From Perú” features village music from 16 different regions.\n \nWith trio Chaskinakuy\, he has performed and recorded music from Perú\, Bolivia\, Ecuador\, and Argentina. He also recorded with Lichi Fuentes\, Inkuyo\, Patricio Morales quintet\, and EstudiANDINA quartet. He has been musical director of De Rompe y Raja and has worked with Afro-Peruvian percussionists Mangué Vásquez\, Lalo Izquierdo and Miguel Ballumbrosio\, among others; singers Marina Lavalle\, Rosa Los Santos\, Mochi Parra\, and Rafael Manríquez.\n \nHe has collaborated with San Francisco Chamber Orchestra\, Del Sol Quartet\, Kairos Youth Choir\, New York’s Pachamama Peruvian Arts\, Seattle’s De Cajón Project\, World Repertory Ensemble\, Coro Hispano\, and various dance troupes.\nArtist Links \nWebsites: www.brian-rice.com; www.ricardopeixoto.com \nFacebook: www.facebook.com/madeleine.zayasmart.3; www.facebook.com/myloscarpinteros \n  \nEVENT DETAILS\nFriday\, June 5th\, 2026\nTime: 7:00 pm doors\, 7:30 pm show\nAdmission: (Online) $25 Students & Seniors – $29 Early Bird – $35 General / (Door) $35 \nNote: A limited quantity of additional tickets will be available for purchase at the door unless otherwise noted on the Facebook event page that the show is SOLD OUT. \nPurchase advance tickets for this event \nNote: Purchasing an advance ticket guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/cuerdas-tropicales/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,June,Performing Arts
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/05/RPAH-Landscape-Skies-Photo-Collage-YouTube-Banner-3.png
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DTSTART;TZID=America/Los_Angeles:20260606T190000
DTEND;TZID=America/Los_Angeles:20260606T220000
DTSTAMP:20260604T182747Z
CREATED:20260604T171119Z
LAST-MODIFIED:20260604T182747Z
UID:18138-1780772400-1780783200@redpoppyarthouse.org
SUMMARY:June 6th MAPP
DESCRIPTION:June 6th MAPP\n \n  \n  \nTHIS IS A FREE EVENT \nSaturday\, June 6\, 2026 | 7:00 p.m. to 10:00 p.m.\nRed Poppy Art House\nMAPP (Mission Art Performance Project)\n2698 Folsom @23rd\nCurator: Dina Zarif \n7:15 PM – 7:45 PM\nSoundscapes (A Soulful Melodic Journey)\nEliot Valz – Solo guitar \n8:00 PM – 8:45 PM\nEsotérica Tropical (Puerto Rican Medicinal Songs)\nMaría José Montijo – Harp & vocals \n9:00 PM – 9:45 PM\nMelodies of the Hindustani Tradition (Expressive Ragas)\nKamal Ahmad – Sitar\nNilan Chaudhuri – Tabla \nExhibition:\nBĀZ-TĀB (Reflection) by Sima Shahverdi\, a large-scale installation featuring charcoal drawings and paper sculpture\, presented as part of A Season for Iran. \nMAPP (Mission Arts & Performance Project)\nLaunched in 2003\, the Mission Arts & Performance Project (MAPP) is a homegrown bi-monthly\, multidisciplinary\, intercultural event that takes place in the Mission District of San Francisco. On the first Saturday of every even month of the year\, the MAPP transforms ordinary spaces\, such as private garages\, gardens\, living rooms\, studios\, street corners\, and small businesses into pop-up performance and exhibition sites for a day/night of intimate-scale artistic and cultural exchange among a kaleidoscope of individuals and communities.  \nRED POPPY MAPP TEAM: \nArtistic Director | Managing Director: Dina Zarif \nContent manager: Jennie Legary\nSound crew: Andrew Scott\nHost: Verda Bursal  \nABOUT THE PERFORMING ARTISTS\n\nThe Genie  Soundscapes  \nA Soulful Melodic Journey \nFeaturing: \nEliot Valz – Solo guitar   \nEliot Valz is a rising 11th -grade musician and performer at the Ruth Asawa School of the Arts in San Francisco. He performs with Marcus Shelby’s Teen Jazz Band at CMC\, Old Skool Cafe\, and his rock band\, Thorn. Thorn just released their new EP on Spotify\, and they will be heading to the Treefort Music Festival in Boise\, Idaho  in March. Eliot’s musical development has been shaped through mentorship with artists including Marcus Shelby\, Kyle Blaze\, and Javi Madrigal. Eliot is eager to continue growing as a musician through collaboration with diverse artists in professional and creative music spaces.  \n\n\nEsotérica Tropical \nMedicinal Songs from Puerto Rico \nFeaturing:\nMaría José Montijo – Harp & vocals \nEsotérica Tropical transcends musical boundaries with her commanding voice\, harp\, and fusion of Bomba rhythms with electronic production. Her self-titled debut album was named Best Bay Area Music of 2024 by KQED\, KALW\, and White Crate. Her work boldly challenges colonial mentality\, advocating for sovereignty and surrealism. A chance encounter with a Celtic harp on a Puerto Rican beach in 2009 transformed her from an acupuncturist into a genre-defying musical magician. Drawing on 20 years as a traditional medicine practitioner\, Esotérica’s ritualistic performances have captivated audiences at major venues and festivals worldwide including Brava Theater\, The Chapel\, MACLA\, Oakland Museum of California\, SOMArts\, Teatro Municipal de Cusco\, Festival Color Caribe\, Teatro el Supremo\, and el Fiestón Cultural del Instituto de Cultura de PR. \n\n\n\n \n\n\nMelodies of the Hindustani Tradition  \nExpressive raags through improvisation & tradition \nFeaturing: \nKamal Ahmad – Sitar\nNilan Chaudhuri – Tabla \nKamal Ahmad’s path to music wasn’t conventional\, and that’s exactly what makes him a better teacher. His journey began with tabla before his elder sister introduced him to the sitar\, sparking a devotion that would reshape his life. He sought formal training under sarod maestro Arnab Chakrabarty\, who introduced him to sitar virtuoso Vinayak Chittar and scholar-vocalist Pandit Arijit Mahalanabis\, a lineage of mentorship rooted in the deepest traditions of Indian classical music. Trained as a neuroscientist\, Kamal started his serious musical study later than most. Rather than a setback\, this became his advantage. His scientific mind drove him to find the most efficient\, intentional methods of practice\, the same methods he now teaches his students. He didn’t just learn raga music. He studied how people learn\, and built his teaching around it. \nNilan Chaudhuri is a Bay Area based percussionist\, educator\, and performer. Initiated into the tradition of Indian Classical Music at the age of five by his father\, Pandit Swapan Chaudhuri\, Nilan has been performing as a tabla soloist and accompanist for nearly two decades. Prior to beginning his formal training with his father in 2000\, Nilan studied tabla with Brad Van Cleve\, Tim Witter\, and Uttam Chakraborty\, all of whom are senior disciples of his father.  \nDrawing inspiration from his father’s innovative approach to classical tabla solo\,  Nilan was determined from a young age to be a soloist. He presented his first public tabla recital at the age of eleven\, at the Ali Akbar College of Music in San Rafael\, in the presence of Maestro Ali Akbar Khansahib. It was during these formative years that Nilan was introduced to the world of Tabla accompaniment by Maestro Ali Akbar Khan\, providing rhythmic support for his vocal and instrumental classes at the college.   \n\n\nVisual Art Exhibition: BĀZ-TĀB (Reflection)\n \nBĀZ-TĀB (Reflection) by Sima Shahverdi\, a large-scale installation featuring charcoal drawings and paper sculpture\, presented as part of A Season for Iran. \nBĀZ-TĀB (meaning reflection) is a body of work rooted in the architectural memory of Iran. Each piece begins as a large-scale hand drawing of a specific Iranian site—a courtyard\, a dome\, an arched passage—built gradually in charcoal\, documented frame by frame\, and brought to life through animation. Three-dimensional paper sculptures emerge from the drawings\, collapsing the boundary between image and object. Together\, these elements seek to recreate something closer to how we actually remember a place: not as a photograph\, but as a dream—fragmentary\, layered\, and alive. \nAt Red Poppy Art House\, the two parallel walls become the interior faces of an Iranian house—one the tabestān-neshin (summer room)\, the other the zemestān-neshin (winter room). The audience sits at the center\, where the courtyard would be. \nWe are Iranians scattered across cities\, each carrying memories of a place we can no longer easily return to. My own memories are of the architectural spaces I walked through as a student—the hum of voices beneath a dome\, a voice carrying across a courtyard\, the cool wind descending through a badgir. I invite the audience to gather at the howz\, sit by the water\, and look up at the sky. \nThis is not documentation. It is not nostalgia. It is the act of remembering as a collective\, embodied\, present-tense experience. We become part of the house. The house becomes part of us. \nMAPP GENERAL PROGRAM\nJoin us in MAPP at all other spaces throughout the Mission District. \n\n\nIN PERSON EVENT DETAILS\nTime: June 6th\, 2026\, 7pm- 10pm (IN-PERSON) \nAdmission: Free! \n\n \n  \nDONATE
URL:https://redpoppyarthouse.org/event/june-6th-mapp/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:June,MAPP,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://redpoppyarthouse.org/wp-content/uploads/2026/06/MAPP-June-2026-Web-poster-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260614T130000
DTEND;TZID=America/Los_Angeles:20260614T160000
DTSTAMP:20260519T175206Z
CREATED:20260519T061556Z
LAST-MODIFIED:20260519T175206Z
UID:18104-1781442000-1781452800@redpoppyarthouse.org
SUMMARY:ShadowLight Productions
DESCRIPTION:RSVP to the Facebook event:\n \n \nShadowLight Productions\nEarth Paper Cut: Shadow Performance & Puppet Workshop \nCreated and performed by ShadowLight’s Jess Nguyen\, Earth Paper Cut is a youth-scripted\, surreal story translated into a shadow show: Earth Paper Cut follows two children navigating the moral quandaries around staying or leaving their planet behind at the end of the world as we know it. \nThis performance will be followed by a guided exploration of transforming a story into a shadow play and a puppet building workshop. \nThis event is part of Red Poppy’s Family Art Program (Arte entre Familia). \nFeaturing: \nJess Nguyen\, Puppeteer and Teaching Artist \nSunday\, June 14th\, 2026\nTime: 1:00 pm – 4: 00 pm \nAdmission: FREE \nABOUT THE ARTISTS: \nJessica Nguyễn specializes in movement and visual arts disciplines ranging from dance\, puppetry\, and circus to science illustration and sculpture. As a core member\, performer\, and frequent collaborator with Shadowlight Productions Jess specializes as a shadow puppeteer and designer\, but is also versed in other forms of puppetry. She has performed and collaborated with Facing West Shadows\, OddSavvy\, Driveway Follies\, SF Youth Theatre\, and the SF Opera. Jess is always up to shenanigans with the youth\, and is a multi-disciplinary educator across the Bay. You can often catch her\, unsurprisingly\, mulling over fun facts to share with you. \nArtist Links \nJess Nguyen\nFB: https://www.facebook.com/phantomcardium/\nIG: @phantomcardium\nWebsite: www.ghosthearted.com \nShadowLight\nInstagram: @shadowlightproductions\nFacebook: www.facebook.com/ShadowLightProductions/\nWebsite: shadowlight.org \nEVENT DETAILS\nSunday\, June 14th\, 2026\nTime: 1:00 pm – 4: 00 pm \nAdmission: FREE \nNote: RSVP guarantees admission but does not guarantee a seat. Seating is first come\, first served. \nRSVP to the Facebook event:\n \n \n  \nVolunteer for this event!                            
URL:https://redpoppyarthouse.org/event/shadowlight-productions-2026/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Events,June,Performing Arts,Volunteer Gatherings,Workshops, Discussions, and Films
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/05/ShadowLight.06.14_1920x1080-Jacquelyn-Serrano-1.png
END:VEVENT
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DTSTART;TZID=America/Los_Angeles:20260619T193000
DTEND;TZID=America/Los_Angeles:20260619T210000
DTSTAMP:20260617T171748Z
CREATED:20260609T051328Z
LAST-MODIFIED:20260617T171748Z
UID:18155-1781897400-1781902800@redpoppyarthouse.org
SUMMARY:ICU (I See You) : A One-Woman Play
DESCRIPTION: ICU (I See You) \nA one-woman staged reading inspired by Iran’s “Women\, Life\, Freedom” movement  \nPresented by \nRed Poppy Art House and Golden Thread Productions present a special theatrical reading of ICU (I See You) by Leyla Modirzadeh and Domenique Lozano\, a one-woman play performed by Bridgette Loriaux. \nDates \nFriday\, June 19\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSaturday\, June 20\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSunday\, June 21\n Doors: 1:30 PM | Performance: 2:00–3:30 PM \nVenue\n Red Poppy Art House\n 2698 Folsom Street\n San Francisco\, CA 94110 \nPlease Note \n\nSeating is limited.\nDoors open 30 minutes before the performance.\nLate seating may not be accommodated.\nPlease allow extra time for parking.\n\nAdvance tickets are available online. You are required to purchase advance tickets for this event.  \n*Due to the theatrical nature of this performance\, the show begins promptly and late seating may not be permitted.\nRSVP on Facebook & buy tickets: \n\n\nGET TICKETS\n  \n  \nABOUT THE PLAY\nRed Poppy Art House and Golden Thread Productions proudly presents ICU (I See You)\, a one-woman theatrical reading written by Leyla Modirzadeh and Domenique Lozano\, and performed by Bridgette Loriaux. \nInspired by Iran’s 2022–2023 “Women\, Life\, Freedom” movement\, ICU illuminates the events and human experiences of the uprising through the intersecting lives of five Iranian women. \nThe movement began after the death of Mahsa Amini while in the custody of Iran’s morality police\, sparking nationwide protests led by women and girls demanding dignity\, freedom\, and basic human rights. What followed was one of the most significant protest movements in modern Iranian history and a brutal crackdown by the regime. \nICU is a full-length play currently in development as part of Golden Thread’s New Threads Staged Reading Series. New Threads is Golden Thread’s annual staged reading series that engages its audience in the process of playmaking and allows writers of Middle Eastern and non-Middle Eastern descent an authentic and supportive space to develop work about the Middle East.  \nBecause the events that inspired the work continue to resonate so deeply\, the artists wanted to share the story with audiences now rather than wait for the play’s final production. Portions of the performance will be presented with scripts in hand as part of the play’s ongoing development process. \nThe title ICU operates on several levels. It references the intensive care units where injured protesters sought treatment. It declares “I see you”—the fundamental demand to be witnessed\, recognized\, and remembered. It also evokes the eye itself and the power of sight\, which became a powerful symbol throughout the movement. \nThe play begins on a hopeful morning in the midst of the Women\, Life\, Freedom protests. From there\, it follows the aftermath of a single day and night\, tracing the lives of women whose futures are forever altered by the choices they make and the events they endure. \nThrough humor\, resilience\, grief\, friendship\, and extraordinary courage\, ICU explores what it costs to demand your humanity—and what it takes to keep fighting for it. With some laughs.  \nWritten by: Leyla Modirzadeh & Domenique Lozano\nPerformed by: Bridgette Loriaux \nPresented by Red Poppy Art House and Golden Thread Productions. \nAbout Golden Thread Productions\nGolden Thread Productions is a San Francisco-based theatre company dedicated to exploring Middle Eastern cultures\, diverse perspectives\, and global immigrant experiences. Founded in 1996\, it is the first American theatre company devoted to the Middle East and its diaspora. Through new play development\, education programs\, and its signature ReOrient Festival\, Golden Thread champions underrepresented voices and creates powerful opportunities for cultural exchange\, dialogue\, and artistic innovation. \nARTISTS\nBridgette Loriaux is an award-winning actor\, writer\, director\, choreographer\, and movement artist known for her highly physical and visually inventive approach to storytelling. Her work includes the off-Broadway dance-theatre piece 2½ Breaths\, award-winning productions for Marin Shakespeare Company\, and movement direction for The Curious Incident of the Dog in the Night-Time at San Francisco Playhouse. Internationally\, she has toured throughout Europe\, South America\, and Egypt\, performed at the Beijing Olympic Games\, and continues to develop innovative work as both a theatre artist and movement educator.\n \n  \nDomenique Lozano is a director\, actress\, vocal coach\, and educator based on the West Coast. She has served as a Resident Artist with American Conservatory Theater and an Associate Artist with California Shakespeare Theater. Her directing credits include productions with Marin Shakespeare Company\, ACT\, UC Berkeley\, TheatreFirst\, and Southern Oregon University. As an actor\, she has performed with Cal Shakes\, ACT\, Berkeley Rep\, Oregon Shakespeare Festival\, and numerous regional theatres across the country. \n  \n  \nLeyla Modirzadeh (co-writer) is an Iranian-American artist\, actress\, and director. She has performed in theaters across the country including Cincinnati Playhouse\, A Contemporary Theatre\, The Group Theatre\, Wisdom Bridge Theatre in Chicago\, Speakeasy Stage in Boston\, The Kennedy Center in DC\, La Mama ETC and New York Theatre Workshop in New York. She was seen most recently at Indiana Repertory Theatre as Roya in English. In addition to her professional stage work\, Leyla is known for her collaborations with renowned theatre artist Ping Chong. She has a BA in Humanities from UC Berkeley\, MFA in acting from University of Washington. \n  \n  \n  \n  \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]
URL:https://redpoppyarthouse.org/event/icu-i-see-you-june-19/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Salons,Events,June,Performing Arts
ATTACH;FMTTYPE=image/png:https://redpoppyarthouse.org/wp-content/uploads/2026/06/Poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260620T193000
DTEND;TZID=America/Los_Angeles:20260620T210000
DTSTAMP:20260617T171932Z
CREATED:20260609T152542Z
LAST-MODIFIED:20260617T171932Z
UID:18170-1781983800-1781989200@redpoppyarthouse.org
SUMMARY:ICU (I See You) : A One-Woman Play
DESCRIPTION: ICU (I See You) \nA one-woman staged reading inspired by Iran’s “Women\, Life\, Freedom” movement  \nPresented by \nRed Poppy Art House and Golden Thread Productions present a special theatrical reading of ICU (I See You) by Leyla Modirzadeh and Domenique Lozano\, a one-woman play performed by Bridgette Loriaux. \nPresented by heading aside — paste continues below.\nDates \nFriday\, June 19\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSaturday\, June 20\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSunday\, June 21\n Doors: 1:30 PM | Performance: 2:00–3:30 PM \nVenue\n Red Poppy Art House\n 2698 Folsom Street\n San Francisco\, CA 94110 \nPlease Note \n\nSeating is limited.\nDoors open 30 minutes before the performance.\nLate seating may not be accommodated.\nPlease allow extra time for parking.\n\nAdvance tickets are available online. You are required to purchase advance tickets for this event.  \n*Due to the theatrical nature of this performance\, the show begins promptly and late seating may not be permitted.\nRSVP on Facebook & buy tickets: \n\n\nGET TICKETS\n  \n  \nABOUT THE PLAY\nRed Poppy Art House and Golden Thread Productions proudly presents ICU (I See You)\, a one-woman theatrical reading written by Leyla Modirzadeh and Domenique Lozano\, and performed by Bridgette Loriaux. \nInspired by Iran’s 2022–2023 “Women\, Life\, Freedom” movement\, ICU illuminates the events and human experiences of the uprising through the intersecting lives of five Iranian women. \nThe movement began after the death of Mahsa Amini while in the custody of Iran’s morality police\, sparking nationwide protests led by women and girls demanding dignity\, freedom\, and basic human rights. What followed was one of the most significant protest movements in modern Iranian history and a brutal crackdown by the regime. \nICU is a full-length play currently in development as part of Golden Thread’s New Threads Staged Reading Series. New Threads is Golden Thread’s annual staged reading series that engages its audience in the process of playmaking and allows writers of Middle Eastern and non-Middle Eastern descent an authentic and supportive space to develop work about the Middle East.  \nBecause the events that inspired the work continue to resonate so deeply\, the artists wanted to share the story with audiences now rather than wait for the play’s final production. Portions of the performance will be presented with scripts in hand as part of the play’s ongoing development process. \nThe title ICU operates on several levels. It references the intensive care units where injured protesters sought treatment. It declares “I see you”—the fundamental demand to be witnessed\, recognized\, and remembered. It also evokes the eye itself and the power of sight\, which became a powerful symbol throughout the movement. \nThe play begins on a hopeful morning in the midst of the Women\, Life\, Freedom protests. From there\, it follows the aftermath of a single day and night\, tracing the lives of women whose futures are forever altered by the choices they make and the events they endure. \nThrough humor\, resilience\, grief\, friendship\, and extraordinary courage\, ICU explores what it costs to demand your humanity—and what it takes to keep fighting for it. With some laughs.  \nWritten by: Leyla Modirzadeh & Domenique Lozano\nPerformed by: Bridgette Loriaux \nPresented by Red Poppy Art House and Golden Thread Productions. \nAbout Golden Thread Productions\nGolden Thread Productions is a San Francisco-based theatre company dedicated to exploring Middle Eastern cultures\, diverse perspectives\, and global immigrant experiences. Founded in 1996\, it is the first American theatre company devoted to the Middle East and its diaspora. Through new play development\, education programs\, and its signature ReOrient Festival\, Golden Thread champions underrepresented voices and creates powerful opportunities for cultural exchange\, dialogue\, and artistic innovation. \nARTISTS\nBridgette Loriaux is an award-winning actor\, writer\, director\, choreographer\, and movement artist known for her highly physical and visually inventive approach to storytelling. Her work includes the off-Broadway dance-theatre piece 2½ Breaths\, award-winning productions for Marin Shakespeare Company\, and movement direction for The Curious Incident of the Dog in the Night-Time at San Francisco Playhouse. Internationally\, she has toured throughout Europe\, South America\, and Egypt\, performed at the Beijing Olympic Games\, and continues to develop innovative work as both a theatre artist and movement educator.\n \n  \nDomenique Lozano is a director\, actress\, vocal coach\, and educator based on the West Coast. She has served as a Resident Artist with American Conservatory Theater and an Associate Artist with California Shakespeare Theater. Her directing credits include productions with Marin Shakespeare Company\, ACT\, UC Berkeley\, TheatreFirst\, and Southern Oregon University. As an actor\, she has performed with Cal Shakes\, ACT\, Berkeley Rep\, Oregon Shakespeare Festival\, and numerous regional theatres across the country. \n  \n  \nLeyla Modirzadeh (co-writer) is an Iranian-American artist\, actress\, and director. She has performed in theaters across the country including Cincinnati Playhouse\, A Contemporary Theatre\, The Group Theatre\, Wisdom Bridge Theatre in Chicago\, Speakeasy Stage in Boston\, The Kennedy Center in DC\, La Mama ETC and New York Theatre Workshop in New York. She was seen most recently at Indiana Repertory Theatre as Roya in English. In addition to her professional stage work\, Leyla is known for her collaborations with renowned theatre artist Ping Chong. She has a BA in Humanities from UC Berkeley\, MFA in acting from University of Washington. \n  \n  \n  \n  \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n		\n	\n		[Show thumbnails]
URL:https://redpoppyarthouse.org/event/icu-i-see-you-june-20/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Salons,Exhibitions and Receptions,June,Performing Arts
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DTSTART;TZID=America/Los_Angeles:20260621T140000
DTEND;TZID=America/Los_Angeles:20260621T153000
DTSTAMP:20260617T204333Z
CREATED:20260609T155130Z
LAST-MODIFIED:20260617T204333Z
UID:18184-1782050400-1782055800@redpoppyarthouse.org
SUMMARY:ICU (I See You) : A One-Woman Play
DESCRIPTION: ICU (I See You) \nA one-woman staged reading inspired by Iran’s “Women\, Life\, Freedom” movement  \nPresented by \nRed Poppy Art House and Golden Thread Productions present a special theatrical reading of ICU (I See You) by Leyla Modirzadeh and Domenique Lozano\, a one-woman play performed by Bridgette Loriaux. \nDates \nFriday\, June 19\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSaturday\, June 20\n Doors: 7:00 PM | Performance: 7:30–9:00 PM \nSunday\, June 21\n Doors: 1:30 PM | Performance: 2:00–3:30 PM \nVenue\n Red Poppy Art House\n 2698 Folsom Street\n San Francisco\, CA 94110 \nPlease Note \n\nSeating is limited.\nDoors open 30 minutes before the performance.\nLate seating may not be accommodated.\nPlease allow extra time for parking.\n\nAdvance tickets are available online. You are required to purchase advance tickets for this event.  \n*Due to the theatrical nature of this performance\, the show begins promptly and late seating may not be permitted.\nRSVP on Facebook & buy tickets: \n\nGET TICKETS\n  \n  \nABOUT THE PLAY\nRed Poppy Art House and Golden Thread Productions proudly presents ICU (I See You)\, a one-woman theatrical reading written by Leyla Modirzadeh and Domenique Lozano\, and performed by Bridgette Loriaux. \nInspired by Iran’s 2022–2023 “Women\, Life\, Freedom” movement\, ICU illuminates the events and human experiences of the uprising through the intersecting lives of five Iranian women. \nThe movement began after the death of Mahsa Amini while in the custody of Iran’s morality police\, sparking nationwide protests led by women and girls demanding dignity\, freedom\, and basic human rights. What followed was one of the most significant protest movements in modern Iranian history and a brutal crackdown by the regime. \nICU is a full-length play currently in development as part of Golden Thread’s New Threads Staged Reading Series. New Threads is Golden Thread’s annual staged reading series that engages its audience in the process of playmaking and allows writers of Middle Eastern and non-Middle Eastern descent an authentic and supportive space to develop work about the Middle East.  \nBecause the events that inspired the work continue to resonate so deeply\, the artists wanted to share the story with audiences now rather than wait for the play’s final production. Portions of the performance will be presented with scripts in hand as part of the play’s ongoing development process. \nThe title ICU operates on several levels. It references the intensive care units where injured protesters sought treatment. It declares “I see you”—the fundamental demand to be witnessed\, recognized\, and remembered. It also evokes the eye itself and the power of sight\, which became a powerful symbol throughout the movement. \nThe play begins on a hopeful morning in the midst of the Women\, Life\, Freedom protests. From there\, it follows the aftermath of a single day and night\, tracing the lives of women whose futures are forever altered by the choices they make and the events they endure. \nThrough humor\, resilience\, grief\, friendship\, and extraordinary courage\, ICU explores what it costs to demand your humanity—and what it takes to keep fighting for it. With some laughs.  \nWritten by: Leyla Modirzadeh & Domenique Lozano\nPerformed by: Bridgette Loriaux \nPresented by Red Poppy Art House and Golden Thread Productions. \nAbout Golden Thread Productions\nGolden Thread Productions is a San Francisco-based theatre company dedicated to exploring Middle Eastern cultures\, diverse perspectives\, and global immigrant experiences. Founded in 1996\, it is the first American theatre company devoted to the Middle East and its diaspora. Through new play development\, education programs\, and its signature ReOrient Festival\, Golden Thread champions underrepresented voices and creates powerful opportunities for cultural exchange\, dialogue\, and artistic innovation. \nARTISTS\nBridgette Loriaux is an award-winning actor\, writer\, director\, choreographer\, and movement artist known for her highly physical and visually inventive approach to storytelling. Her work includes the off-Broadway dance-theatre piece 2½ Breaths\, award-winning productions for Marin Shakespeare Company\, and movement direction for The Curious Incident of the Dog in the Night-Time at San Francisco Playhouse. Internationally\, she has toured throughout Europe\, South America\, and Egypt\, performed at the Beijing Olympic Games\, and continues to develop innovative work as both a theatre artist and movement educator.\n \n  \nDomenique Lozano is a director\, actress\, vocal coach\, and educator based on the West Coast. She has served as a Resident Artist with American Conservatory Theater and an Associate Artist with California Shakespeare Theater. Her directing credits include productions with Marin Shakespeare Company\, ACT\, UC Berkeley\, TheatreFirst\, and Southern Oregon University. As an actor\, she has performed with Cal Shakes\, ACT\, Berkeley Rep\, Oregon Shakespeare Festival\, and numerous regional theatres across the country. \n  \n  \nLeyla Modirzadeh (co-writer) is an Iranian-American artist\, actress\, and director. She has performed in theaters across the country including Cincinnati Playhouse\, A Contemporary Theatre\, The Group Theatre\, Wisdom Bridge Theatre in Chicago\, Speakeasy Stage in Boston\, The Kennedy Center in DC\, La Mama ETC and New York Theatre Workshop in New York. She was seen most recently at Indiana Repertory Theatre as Roya in English. In addition to her professional stage work\, Leyla is known for her collaborations with renowned theatre artist Ping Chong. She has a BA in Humanities from UC Berkeley\, MFA in acting from University of Washington. \n  \n  \n  \n  \n\n\n\n	\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n		\n			\n			\n		\n\n		\n\n\n\nICU (I See You) : A One-Woman Play
URL:https://redpoppyarthouse.org/event/icu-i-see-you-june-21/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Artist Receptions,Artist Salons,Events,Exhibitions and Receptions,June,Performing Arts
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DTSTART;TZID=America/Los_Angeles:20260627T130000
DTEND;TZID=America/Los_Angeles:20260627T160000
DTSTAMP:20260626T025601Z
CREATED:20260626T024815Z
LAST-MODIFIED:20260626T025601Z
UID:18261-1782565200-1782576000@redpoppyarthouse.org
SUMMARY:Reuse\, Repurpose\, Reimagine: Interactive Mending Workshop
DESCRIPTION:Join us to learn about mending clothes\, bags\, and fabric items\, and even work on your project with guidance and materials from Verda Bursal. You can bring your own item(s) in need of mending and/or work with scrap pieces from Verda’s stash. \nThread and tools will be provided\, including a sewing machine if you’re feeling brave! \nThe workshop will be entirely donation-based. No tickets\, no need to RSVP\, pay what you can for your alteration and/or lesson. \n \nVerda Bursal is the creator of Waste to Hip\, a project dedicated to mending and upcycling fabric goods as well as teaching others how to do the same. She is proud to carry on the millennia-old tradition of turning plant and animal fibers into useful three-dimensional objects\, and firmly believes that most fabric items have more life they can live. \nRead more about her project: https://www.wastetohip.com/ \n  \n	\n\n		Waste to Hip by Verda Bursal\n\n		\n				\n						\n		\n\n		\n		\n\n			\n				\n					\n				\n			\n\n			\n				\n					\n				\n			\n\n			\n				Image				1				of				3
URL:https://redpoppyarthouse.org/event/reuse-repurpose-reimagine-interactive-mending-workshop/
LOCATION:Red Poppy Art House\, 2698 Folsom St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Family Art Activities,Volunteer Gatherings,Workshops, Discussions, and Films
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