May 18 – September 3, 2016
Rodney Ewing is a San Francisco-based artist. He received his BFA at Louisiana State University in Baton Rouge and his MFA at West Virginia University. His drawings, installations and mixed media works focus on intersecting body and place, memory and fact, in order to re-examine human histories, cultural conditions and events. His work has been included in numerous group and solo exhibitions, including the University of San Francisco, Pro Arts Gallery, Root Division, de Saisset Museum, Frey Norris Gallery, The African American Art and Cultural Complex, San Francisco Public Library Main Branch, The Drawing Center in New York City, Los Angeles Contemporary Exhibitions, Johnsonese Gallery in Chicago, and Greymatter Gallery in Milwaukee. Rodney was the March 2015 Artist-in-Residence at the de Young Museum in San Francisco.
While debating demanding topics such as race, religion, or war, it is simple enough to become polarized, and see situations in either black or white, right or wrong. These tactics may satisfy individuals whose position depends on employing policies or implementing strategies that promote specific agendas for a specific constituency. But as an artist, it is more important to create a platform that moves us past alliances, and begins a dialogue that informs, questions, and in some cases even satires our divisive issues. Without this type of introspection, we are in danger of having apathy rule our senses. We can easily succumb to a national mob mentality, and ignore individual accounts and memories. With my work I am creating an intersection where body and place, memory and fact are merged to re-examine human interactions and cultural conditions to create a narrative that requires us to be present and profound.
Joyce Nojima is a second-generation Japanese American born and raised in Santa Rosa, California. She received her B.A. in Art Practice from University of California, Berkeley in 2003 and earned her MFA at University of California, Davis in 2014. She is currently in the Affiliate Artist Program at the Headlands Center for the Arts.
With my hands, I grip my material and pull it apart. Puncturing, disfiguring, welding, and drawing with a heated iron rod. Tentative gestures are interrupted by thick yet translucent scars. These marks echo the dichotomy between rhythm and atonality, thoughtfulness and impetuousness. The more I manipulate the material, the more volume is revealed. I search for beauty in destruction and become lost in the surface I create.
Modesto Covarrubias and Monica Lundy collaborate on several curatorial projects, including Studio 5,4 Salon, an event that brings together arts professionals for an evening of lively discourse. They are the San Francisco Bay Area curators of visual arts for Flying Under the Radar Biennial Festival of the Arts, an interdisciplinary lab/festival that facilitates collaborative work between artists of the San Francisco Bay Area and Rio de Janeiro, Brazil. Both Covarrubias and Lundy maintain their own studio practice, among other projects. Modesto Covarrubias has a BFA in Photography from the San Francisco Art Institute, an MFA in Studio Art from Mills College, and teaches at California College of the Arts. Monica Lundy has a BFA in Sculpture from the School of the Art Institute of Chicago, an MFA in Painting from Mills College, and is represented by Nancy Toomey Fine Art in San Francisco.